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sohalia

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About sohalia

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  • Connection to/interest in ballet** (Please describe. Examples: fan, teacher, dancer, writer, avid balletgoer)
    fan
  • City**
    Miami
  • State (US only)**, Country (Outside US only)**
    Florida

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  1. I used to watch her vlogs a few years ago while she was in her early years with the Kremlin Ballet after leaving the Bolshoi... She crossed my mind today and I was wondering what she was up. Great news for her! I hope she can thrive there and find a home for the years to come.
  2. Exactly, that's why I decided on these seats in the end. I figured since it's a ballet with a prominent corps presence, it was probably better to view it from a bit further up. I was very happy with that decision in the end.
  3. I just returned from London, where I saw the Aug. 5th performance of Swan Lake with Stepanova/Ovcharenko/Lobukhin. I won't get as technical as many you as I simply don't have the knowledge and am just a little beginner in this ballet world, but I truly did have a memorable evening. Stepanova was stunning, what a treat to watch her dance. She made Odette and Odile, particularly Odile, truly come alive. I was sitting on the balcony so I didn't necessarily have a great view of her facial expressions, but I didn't need to as I could feel the very different emotions through her dance and movements. The contrast she was able to show between her Odette (softer, shy, in love, pained) and her Odile (sharper, playful and a tease yet devilish) was impressive. Her Black Swan was to die for. She did look like a swan throughout most of the ballet, and made it all look effortless again with her magnificent presence, technique and interpretation. Her port de bras is delighful, and her dancing and interpretations were detailed, nuanced and fluid. I did not count her fouettes, but I do remember being stunned by them. I could have watched her dance and pirouette and jump the entire night, and she really did look like a mystical creature, elegant, captivating, sentimental and insighftul. Ovcharenko was great as well but honestly I just could not keep my eyes off Stepanova most of the time. That said, he looked as captivated and smitten by Stepanova's characters as I was. The corps itself was also particularly stunning. I had never watched a full-length version of Swan Lake, only the shortened Balanchine one, so I truly was able to appreciate the corps here. The dancers were sharp and just sublime during the lake-side scenes. Each movement or pose held was so symmetrical and precise to the millimeter that I also found myself absorbed by it. They all truly did look like a group of swans as well. I did find Lobukhin a bit bland, heavy and quite wobbly at times. At one point it looked like he stumbled on his own feet, although he saved it nicely, but anyways I wasn't particularly blown away by his dancing. On the contrary, I found Georgy Gusev as the fool particularly astounding. Very light on his feet, explosive jumps and steady pirouettes, and truly in his character the entire time. I honestly thought he stole the show whenever he was on stage, from my perspective and the crowd's reaction. I also enjoyed Bruna Gaglianone Cantanhede as the Neapolitan Bride, and maybe because she reminded me more of the style of dancing I'm used to as she's Brazilian and I have been to a handful of Miami City Ballet productions, where a lot of the dancers are Brazilian. The production itself was indeed interesting, and some of you on here had warned me of the ending. I am not quite sure how to feel about it yet, again as I have no 'true' point of comparison with another full-length production. It did not bother me greatly at the time, but I don't think I like having the prince being alone on stage at the end too much. Other than that, I did find the imagery great and successfully and effortlessly linking the eerie, hazy lake scenes to the more festive and crowded palace ones. I am very glad I went to see this, and I wished I was in London longer to see the ballet with a different cast. All in all, Stepanova and the corps de ballet were the true big stars of this ballet for me.
  4. Omg no way ! That's the last thing I expected, but this is great news for her. I sometimes browse through her YouTube channel, and she had some very insightful videos in there about her experience. I'm so bummed I had to move out of Miami; I'd have loved to see her. What a great addition. I'm expecting some movement in the company and hopefully promotions with the departures/retirements of J. Delgado, J. Furlan and R. Penteado.
  5. I have not ! I was starting to watch videos of Stepanova on YouTube, but then decided to not spoil myself. It will be interesting to see this production with everything you mentioned. I love ballet, but I do not know the specifics of it all or little details like these, so it is certainly good to know.
  6. I will be in London early August for a concert, and was curious to see what the ballet schedule was like during my time there. Needless to say, I was delighted to find out the Bolshoi would be performing Swan Lake during my few days in the city ! I just purchased tickets to the Monday evening performance with Stepanova and Ovcharenko. I'm thrilled! I was hoping some seats would be left for Saturday night and Zakharova's performance, but the seats left weren't great or were solo seats and I am going with somebody. I figured I'm still going to have a wonderful time watching a prima ballerina from the Bolshoi dancing, whether it be Stepanova or Zakharova. It's not every day I get this chance either, so I went for the better seats. I'm quite excited to watch the Bolshoi live. I have never seen any "European" ballet and Russian ballerinas live yet. I lived in the US beforehand and am very used to the Balanchine, American style of ballet. I had seen his Swan Lake, albeit too short for my taste, so I'm so excited to finally get to see the full length version in person.
  7. Oooooh, interesting! Great move for him. He was one of my favorite male dancers to watch when I lived in Miami. He was a wonderful partner with Natalia Arja also. I think he'll do great at NYCB.
  8. Unity Phelan is also (hopefully) one of the next in line to be promoted to principal, along with Woodward. These promotions make sense at this time, they needed to bring more men up in the Principal/Soloist ranks after all the firings, injuries (or slow return from injuries) and retirements happening within the last few months. I'm thrilled for them all. I do hope Chamblee will be part of the next batch as well.
  9. Jovani Furlan was promoted to Principal last night after MCB's 'Jewels' performance. So thrilled for him!
  10. I came here as a result of the FB video NYCB just posted of Tiler's fouettes, and was dying to see if anybody had posted a review of her performance yet. She is incredible. I can't wait to read some of your thoughts!
  11. MCB announced it yesterday on its Instagram account: https://www.instagram.com/p/BRoCnBkA5dM/?taken-by=miamicityballet "After a 16-year career with Miami City Ballet, Patricia Delgado will take her final bows with the company at the end of the 2016-2017 season during Program Four. She will perform “Divertimento No. 15”and “Who Cares?”, before she moves to New York City to pursue other creative and artistic opportunities" So sad, but I wish her all the best. She was such a treat to watch, and will be dearly missed.
  12. Yaaayyy I just clapped and my roommate was all surprised and wondered what the hell happened! I am thrilled for all, but mostly for Unity, Indiana, Joseph and Harrison. These are not surprising and they were a long time coming. I am thrilled to see them finally happen!
  13. Did anybody see Unity Phelan's Dewdrop? Would love to hear some thoughts.
  14. The Miami Herald review of the premiere: http://www.miamiherald.com/entertainment/article109940677.html It's a harsh one, but some of the points match some of yours, cubanmiamiboy.
  15. Patricia Delgado had surgery a few weeks ago: I am not sure where Jeannette is.
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