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stuben

Senior Member
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Everything posted by stuben

  1. Agree with most comments here about the promotions and time will tell. I do agree with a comment upthread about promoting dancers who haven't proven themselves in multiple principal roles, other than Forster who is one of my favorites with both his emotional presence and his technique. As much as all the others have the technique and what I call tricks, I just don't feel they carry the emotional part as some of the great past primas IMHO Marcelo, Roberto, David, Julie, Xiomara and of course Sarah. I too am happy they finally promoted Gabe and glad his outspoken social media has helped him
  2. Completely agree 😞 Still recall her amazing Manon and as the Rose! Beyond sad about this. Hopefully she will grace the stages in the US so maybe we can still get to see her without traveling too far. Not sure about the corps IMHO, especially after COVID to be ready and fit for any quick promotions? It is unfortunate they lost the likes of Waski after being sidelined due to injury when she was casted for a much anticipated Myrtha. Saw a few clips from her Boston Ballet debut before this virus. Maybe this might change her mind of a return? 🤞
  3. I just thought the same about Sarah?!!! No word for retirement or anything 😩 After all the wonderful years she gave so many of us and not a word from McKenzie? Wow!
  4. I concur with both, where is Lane and Forster? As a fan of both, I feel that they have worked so hard all these years and deserve a bit more effort on the company's part vs to be "forgotten" for the sake of the up and comings, I am sure they will have their day in the sun. Back to NYCB admiration here!
  5. Thank you ksk04 for this in-depth review and wonderful to read about Shevchenko and Forster, IMHO I feel Forster is a long awaited principal and it would be a travesty if they move Bell up before him, then again sadly nothing surprises me about this company anymore 😟 I would love to see Shevchenko and Forster if there is every a chance of Onegin making a come back too!
  6. Like so many industries being well connected matters and in this case I am sure it didn't hurt. I did read that NY Times article when it came out and it sounded like her mother was the push behind ABT since she did mention her initial interest in Broadway vs ballet, and had disagreements with her mother but was steered towards ABT. True she has talent but based on that comment I do wonder about the publicity push possibly being bought due to connections. Between connections and financial assistance as Brandt does along with social media, I do feel sad for those without connection or financial
  7. Oops good catch I missed that one of Blaine, I stand corrected 😊 and I completely agree about Roman as a wonderful actor as I have enjoyed his performances for so many years! However, it is still unfortunate that no other dancer is able to step in vs a teaching staff, then again, even the wonderful Georgina Parkinson has stepped in for so many years herself wonderfully. Well at least Hoven has something better than nothing.
  8. I noticed Keith Roberts in one of the shows as King of Babylon? Isn't he a ballet master for the company? So I do wonder why Blaine couldn't have done this or even an actual company member, since I can't imagine they are short on male dancers who can mime as well as Roman? I would think it is to the advantage to any company to give their dancers opportunities vs a teaching staff.
  9. Interesting article and maybe it is just me but this seems to expose McKenzie and his dealings with his company. There is no mention of who is paying for the coaching but if it is her private funding than lucky for her, yet does this mean those who don't have the AD backing and without good funding will be left behind? Sad really that it has to happen like this, feels as if she is saying dancers are housed until they are needed, unless one is a flavor/favor of the season. Must be frustrating for her and others who might feel likewise. Plus I notice she mentioned 3 days to learn a lead last min
  10. Have been out of commission for a bit and just trying to catch up reading the thread, saw the Waterbury IG someone posted up-thread, there's a short video of her protest and she seems laughing as if this was a joke? I might be wrong about her laughter but IMHO this shouldn't be a laughing matter, this is a somber issue for all involved. This should never have happened to begin with, I might seem conservative sounding but this world of social media with young people is crazy, just think of pre-cell phones?! There is a saying even among college administrators, if you don't want anyone to see bad
  11. Any news why? Still sad how Lane has repeatedly been given less and less suited roles 😔
  12. It seems this isn't a mix up as Trenary just put up on her social media that says she will be with Cornejo on May 23 matinee! I maybe in the minority but what a slap in the face for Lane 🙁 After all these years of wonderful pairing with Cornejo she is now paired with IMO a less than sufficient partner and one show to say the least! I am sorry but I cannot see Trenary in the role, she is wonderful don't get me wrong but she is good at what I call the cute, flirtatious roles as she has been cast with, but Lane is Juliet especially after her Manon with Cornejo. It is so clear that the powers that
  13. Saw this on Miss Waski's social media and thrilled she is noticed for her debut as Myrtha, just wish she had performed this while at ABT 😔 , we had bought tickets then but sadly she was injured, a loss for us but will plan a trip north one of these days. Hope to hear more of her progress from those watching her and maybe a trip for Nutcracker if casting looks interesting. I am not sure how to show the post but here is her Twitter link with the same Facebook post she had put up, if interested I think you can cut and paste this link to view: <https://twitter.com/PaulinaWaski/status/11895
  14. Just saw this and if I recall there was a lot of chatter here and possibly other fans in other blogs that might have helped Lane, and who knows, maybe they got calls too, just saying and I might be all wrong, but I do recall there were quite a few posts calling for her promotion back then.
  15. You say it much better 😊 "reminiscent" indeed. I wonder likewise with others being "housed".
  16. I guess I should have been clearer and thanks for adding to this. I didn't mean that she quit, I recall of her feeling about her leaving, however, I recall how she was treated similarly at the time. With so much unknown about how 'bias" and "vendettas" work within, I do wonder how many others left for similar reasons (not sure principals or soloists). We will never know.
  17. My thoughts exactly! I saw that performance and left with such emotions, something I will never forget, at that moment Lane WAS Manon! Only thing I can add to this is recalling what happened to Part, she was quite forthcoming, if my memory serves me well, about her displeasure of why she was departing. Seems like KM or the powers that be can make someone they feel bad enough so that they quit, and if this is the case it would be most unfortunate, as in the case of Part.
  18. Well I hope all these decisions serves him (KM) well, but the season is looking like I can yet again save some $$$ in 2020.
  19. I am with you on this about Trenary vs Lane here, after all these years watching Lane and the last in Manon, I say this is a travesty to not give her the well deserved Juliette ☚ī¸ (Trenary is a wonderful dancer) I am sorry but I guess I am reminiscing the days of Kent, Herrara and Reyes, and I just can't see Trenary there yet, however, Lane has it all for me to successfully execute these dramatic roles. This is likewise for my feeling of Forster vs Bell, and hope Forster will get his moment this season.
  20. Completely agree with the disappointments: Lane 😔 and IMHO Hurlin is technically good but both her and Bell are quite young and needs time to grow yet into their roles, I know I will be the minority here, I know most audiences love technique and tricks but it should not sacrifice emotional connection. It is unfortunate for those seasoned dancers not given the chance like Hoven and where is Paris? Seems there is the ticket sales factor and as Hamrick says in her interview, it is "politics". So happy for Forster to get his break finally!!!
  21. Our wishes might come true, let's hope, since it seems KM is keeping this all in the family, as he is one of the founders as listed on site: Founders: Gregory Cary â€ĸ Kevin McKenzie â€ĸ Bentley Roton â€ĸ Martine van Hamel.
  22. I see both points, indeed first rate employers would groom their hires, I guess I should have added - .....I would think an insecure boss would never want to feel threatened.....
  23. My thoughts exactly! In any job I would think a boss would never want to feel threatened by their employees to surpass their successes. Sadly though in this case of performing arts the artists suffer for this type of power grab. Question about the coaching outside though, would the company pay for such help or does the individual dancer have to use their own salaries? Assuming that costs quite a bit especially for well known coaches like Max, if so this has to be tough on the small salaries that dancers make.
  24. Isn't Raffa and Jones ballet mistresses? I am not sure of the differences since they do coach as said here but mostly corps and soloists? Even the male "coaches" I do believe are listed in the programs as ballet masters. If so, there really isn't anyone other than Irina, who I think may be 82? I recall a birthday wish and postings about her recent birthday.
  25. My thoughts exactly since choreographers like Ratmansky can't be at every single performance once of every single company, I would think it is up to each company's artist leadership and staff to follow through ?! In this case, seems like there is a lack-there-of, and for what it is worth who is really left to coach these days? Jaffe, Irina & Max, Reyes, Kent, Gomes (if he had stayed) would all have been wonderful coaches, sadly there is a lack of leadership to employ such talent!
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