MadameP
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Posts posted by MadameP
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Can we have a clarification from the moderators about BA's policy re YT videos of entire films? In the past week we have had postings of both the complete Bolshoi Babylon nd the complete Nureyev docudrama, which have been posted on YT within days of their public release by posters who are not the owners of the films in question. This seems to me to rate as video piracy. If we have limit of 250 words for quotes from printed sources, isn't there something similar for video?
Well, I for one am grateful for all those so-called "pirate" videos as most of them I would never have a chance to see otherwise. I missed out on a Bolshoi video today that has just been removed for copyright reasons. I was looking forward to seeing it and if I hadn't been without internet for 2 weeks I could have seen it, but now I can't.
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Yes that's my problem too, Drew and it really is very sad; it all comes down to bad training and how the Vaganova method has changed since Vaganova's death. The teachers at the Vaganova Academy will probably deny that the method has changed, but they would do. I don't mean to pin all the blame on the dancers or at least come across as if I do because it's not really their fault; it's clearly a sign of bad training and lack of artistic direction. I really hope someone deals with all these issues very soon... the funny thing is, the male Vaganova graduates seem to be okay, it's the girls who are emerging in quite a state...
But anyway, those of you who will be going to see the Mariinsky in DC, I hope you enjoy yourselves.
I am astonished to read this. I think Mesdames Kovaleva, Udalenkova, all the senior teachers, as well as those just joined as well as their artistic director, Zhanna Ayupova, would be frankly disbelieving and insulted by this comment. Perhaps you could clarify which points of technique you think they with their collective centuries of experience, are lacking in the ability to transmit to their students with their "bad training?"
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ITA, Amy. At the end of the day, it's all a matter of personal taste & preferences. However, photos & films don't lie..."the proof is in the pudding," as they say. If a ballerina falters in her one solo variation of G-P Classique, then how can she make it through the six (6) solo variations of RAYMONDA? The sad thing is that the best RAYMONDA that I've seen live is Olesya Novikova at La Scala, even though she remains a First Soloist on the Mariinsky roster, yet I hold no hope of her inclusion in the DC tour (recently had 3rd child with her husband Sarafanov).
As for versions of RAYMONDA, I love the Vikharev recon of the Petipa original at La Scala...but the Mariinsky is much closer to the original than is the Bolshoi-Grigorovich edition. At least we can see in the Soviet-KSergeyev version a complete Valse Fantastique (AI, sc2) with a full corps in various layers (including a male corps, demisoloist ladies in tutus, other ladies in longer skirts), then three "Dream solo variations" closer to the 1898 Petipa originals than in the Bolshoi version. To me, that Dream Scene (in AI, sc2) is the crown jewel of this ballet, even though all three acts contain magnificent classical highlights.
The proof is in the pudding? Unfortunately, I do not have a full length video of Somova's Raymonda to upload here, as presumably that would be the only proof that anyone would accept. HOWEVER, I WAS present in St Petersburg at Somova's Raymonda debut as I indicated above, and each variation was technically wonderful. Whether or not anyone personally LIKES Somova is a question of their own taste, but to say she could not perform the role of Raymonda to a technically high standard, is patently WRONG. I SAW it. And not just technique, but artistry there was in abundance, a fact that was appreciated by the whole Mariinsky audience, who gave her a huge ovation. Her dream scene was just exquisite in particular, with beautiful floating arms and lyrical upper body. Her "blue" variation was crisply articulated with strong footwork - basically each variation was differentiated, which is one of the hallmarks of a great Raymonda, since it is so difficult for any one ballerina to dance EACH variation to the same level of excellence. I have also seen in person on the Mariinsky stage most of the other ballerinas who currently have the role in their repertoire, and she was certainly the best of them. I say this objectively, as personally I love Novikova's Raymonda also as well as Lopatkina's Raymonda. Kolegova and Matvienko also are lovely Raymondas, both very strong technically and professional. We can all prefer certain ballerinas, but anyone judging Somova's Raymonda objectively could NEVER say it was anything other than excellent, both technically and artistically.
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I'll be there too. So far only at the opening night (23rd) but I'll likely add performances after casting is announced. The only scenario that would keep me away would be a steady rotation of Somova and Matvienko. I could do Kolegova once. Tereshkina, Skorik, Shirinkina & Kondaurova any & all times!
Somova won an award for her Raymonda - Tanz magazine's "Hope" award - so it was recognised for its excellence. Technically and artistically it is superb. I have seen most of those Raymondas on the Mariinsky stage, and she was by far the best.
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Compared to the past few years, very few members of the Vaganova Class of 2015 received contracts to the Mariinsky....Shakirova & Lukina of course. Also Fayeev's daughter, Ksenia Fateeva, and Alina Krasovskaya. Any men from among the 2015 grads? I don't even see Maxim Sevagin, who was the male class leader-valedictorian, on the corps roster. (Shakirova was the female leader, in ceremonies at Tsarskoe Selo.)
I know that Evgeny Kuznetsov, who many considered the best male dancer graduating, was not given a contract and ended up at Stanislavsky, along with Tshkvitaria (sp?)
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I see that the Mariinsky Ballet's corps includes a Japanese lady, Kumiko Ishii. I'm wondering if she is related to Rika Ishii, who used to guest regularly with the Mariinsky during the early 1990s (Vinogradov late era)?
Seeing an occasional non-Russian on the company's roster is nothing new, ie, Ti En Ryu, Rasta Thomas, Keenan Kampa, Xander Parish, Kimin Kim, Kumiko Ishii, etc. That hasn't stopped me from going.
Interesting! I don't know whether Kumiko is related to Rika, but maybe! I agree there are non-Russians on the roster from time to time, at different levels, but at the moment there are actually a lot of new imports in the CORPS from other schools of dance inside the former Soviet Union apart from Vaganova, yet there are many Vaganova graduates who were not given a contract this year. OK, maybe SOME, a few, of them were not as good as others, but some of the girls who were dancing major roles at this year's graduation performances were not given contracts - Tshkvitaria and Skvortsova for example. WHY? It does seem odd, and as Birdsall says, why are the non Vaganova graduates actively promoted as well? I do think Yuri Fateyev is trying to make the company more "international" and it would be so awful it the unique Vaganova style was lost. At the moment though, I will still travel to St Petersburg to see Mariinsky, as I still believe it is the best company in the world, certainly the one I most enjoy watching.
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I read this thread with interest - there are many informative interviews and links! - and I have to say I do find some of Yuri Fateyev's management policies mystifying, to say the least. I was looking through the recently updated playbill on the Mariinsky website, and saw in the Don Quixote of 5th December an unknown ballerina danced as Queen of the Dryads - Evgenia Gonzales. She dances the same role again on 24th January and has a few other solo roles already with the company. Her bio says she is a 2015 graduate of the Royal Swedish school I know that two year groups graduated Vaganova this year - years 8 and 9, as this will be the last year there is a year 9 class. All those girls graduating, and many were not even employed by Mariinsky, and yet a girl who was not even at Vaganova is given this coveted role, a role that is danced still by several first soloists, and even principal dancers of the company. I do not understand it.
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That wasn't my question, which was, weren't the majority of corps members career corps members, dancing third swan from the back, with no chance for solos after their graduation performances? In Soviet times, they couldn't leave and take those soloist and principal positions in other companies.
That certainly wasn't the case for Altynai Asylmuratova. In this interview http://www.for-ballet-lovers-only.com/interviews-asylmuratova.html
she says she herself was in the corps de ballet for four years, before moving up through the ranks.
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Very sad news.
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There are SO many I love, and I try to watch them all every year! OK - Jingle all the Way, Elf (both make me laugh so much!), Love Actually, The Holiday, The Snowman, Home Alone, Miracle on 34th Street. I am a sucker for Christmas movies, and not forgetting I have to see The Nutcracker!
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"Ballet Shoes" by Noel Streatfeild is a famous children's book based on three sisters, one of whom becomes a ballerina. I loved reading this when I was a child! It was also successful televised.
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Andris Lipea, Zakharova, and her coach Semenyaka are very impressed with Yulia Stepanova.
Yes, my Russian friend told me she had seen a programme on TV where those three were interviewed and all said favorable things about Yulia Stepanova. This Gala should be wonderful, with so many great ballerinas taking part and a lovely selection of pieces. Personally, I think all the ballerinas are dancing entirely appropriate roles. It will be an amazing tribute to Maya Plisetskaya and I just hope that if it is shown on Russian TV, some of it will be available somewhere for us to enjoy! I can't wait to see it!
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Yulia will dance the Hungarian Bride in Swan Lake on 22nd November.
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Here are the Bolshoi's three hours, so you need not go digging for them in the longer video the San Francisco Ballet posted:
They have made that video private now - strange.
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Here is the link to the Russian side of the site, that lists Yulia's bio in full, although, as Helene says, the English side does not show it yet. The updating is overdue for several weeks now.
http://www.bolshoi.ru/persons/ballet/2881/
Her husband, Kamil Yangurazov, has been employed in the Actors/Extras ensemble of the Bolshoi Opera.
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Absolutely agree MadameP, awful news. It doesn't make any sense. To your list of three I would also add Matvienko; all four deserve to be promoted way before Skorik. Maybe I am wrong, but who ever goes to see a ballet just because Skorik is in it if they have a choice? As oppose to Osmolkina for example, I would go to a great length to rearrange my schedule to get a chance to see her performing. Oh well...
Yes, I forgot to mention Matvienko! I saw her Raymonda debut in St Petersburg, and she is a lovely ballerina with a glorious jump and excellent all-round technique. I completely agree about Osmolkina, who has a beautiful ballerina body, impeccable Vaganova schooling and also is a wonderful actress. I saw her debut in Leningrad Symphony, in the honoured role that is only danced by a few ballerinas, and she bought the audience to tears, as she did also as Juliet and as Maria in Fountain of Bakhchisarai. She is a fabulous actress and a wonderful ballerina. I truly am very sad that she is not a principal.
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Awful news - among the first soloists, Novikova, Osmolkina and Kolegova were all by far more deserving of promotion in my opinion.
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I know only that she danced Nikiya with Ivan Vasiliev there.
Thank you!
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Vera Sabantseva is from the Novosibirsk ballet company.
Thank you! Do you know what her position was there, and what roles she danced?
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I enjoyed watching this last year - but if only Mariinsky could be one of the companies taking part!
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The cast of the first performance:
Medora — Ekaterina Borchenko
Conrad — Leonid Sarafanov
Gulnare — Anastasia Soboleva
Pas des esclaves — Asthik Ogannesyan, Victor Lebedev
The cast of the first performance:
Medora — Ekaterina Borchenko
Conrad — Leonid Sarafanov
Gulnare — Anastasia Soboleva
Pas des esclaves — Asthik Ogannesyan, Victor Lebedev
Who is Asthik Ogannesyan? She is a coryphee, but do you have any information on where she trained or what companies she has danced in before?
Also, there is another dancer I do not know - Vera Sabantseva - who dances Gulnare with Lebedev - do have any information on her?
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Thank you - I don't know how I have missed seeing this documentary, but I will certainly watch it!
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Very sad news,
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Yes, Mussel, Uber is supposedly good. I have never used it, but I know it is all the rage and cheaper than a taxi, and a friend does some driving for Uber and says he makes a lot of money in one night on a Friday or Saturday or during game days here in Gainesville (The Gators football team). I actually like to walk in St. Petersburg if possible b/c it is nice to walk along the streets with canals normally. But I think I will not stay out as late ever again if I go back.
Fraildove, it is always better to be on the safe side, I have learned. I think I was comfortable and I have always been under the mistaken belief that a thief would more likely choose a smaller target, but I was wrong about that. I think late at night I will either not go out in SP, or I will have the restaurant or bar call a taxi for me or maybe, as mussel suggests, I will set up an Uber app on my phone.
I hope nobody will avoid SP due to my situation. It is a beautiful city and full of great things. It actually has a quiet beauty to it compared to other European cities. It grows on you slowly. It is not flashy like Florence or Rome or Paris or even Prague. But it gets under your skin and reveals its beauty little by little.
Mariinsky is my favourite company and St Petersburg is my favourite city in the world. I have so many happy memories.
Policy re YouTube videos
in Ballet Videos, Films, Broadcast Performances, Photos, and Interviews
Posted
Well, all I can say is, I doubt there is a single person on this forum who does not watch and enjoy those pirate videos.