Thanks for your answers! Of course we are not all the same as taking our dancers in the world.
SL at Grigorovich is a philosophical parable about the good and the evil that is in every man, and, unfortunately, the good does not always triumph. It's all imagines Prince
Zakharova, indeed, sometimes it is removed, but it is me in SL it. She Swan, not Carmen and all the passion inside of her. Their blows with Holberg I don't like, don't understand why the Filin persistently puts them together, but I can not objective - David leaves me indifferent at all its advantages. Sveta is very dependent partner. For example, when she danced in
in the lady of the Camellias with Lantratov it was amazing. Or her performances with Polunin, in Moscow it was only three times this season (they work in different theatres) La Bayadere (edition Makarova), Marguerite and Armand, Giselle. Polunin, as we say, it "lit", pulled from inside her feelings was stras and love and tenderness with a wonderful technique for both. Zakharova in Moscow adore, but it Smirnova very mixed attitude so far. Vishneva I like many love - looked in April with her Giselle with Polunin (our Primas want to dance with him), it was one of the best performances that I've seen - makes me shiver, but the Swan it I don't like. All this is my amateurish opinion. I will wait for your impressions from DQ and Spartak (in my opinion this is one of the best ballet of the XX century).