What seems interesting in this regard is the way the 1956 commercial film of the Bolshoi London Ulanova/Fadeyechev GISELLE was edited into a commercial Paul Czinner film before the era of videotape or VHS. One gathers the entire ballet was filmed but not included in the final print. The edited version includes multiple cuts, one this solo. It was assumed that because UIlanova danced with Sergeyev at the Kirov/Maryinsky as early as 1930, years before this solo was standard choreography in GISELLE, it is possible Ulanova did not dance this solo in her many GISELLES in Russia and later when the B