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RachelsDream

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  1. Having seen a performance of Shambards while in New York, I didn't really see any violence. In my mind I thought it was indicative of possibly the Romantic era of ballet not existing anymore - I thought the pas de deux showed the rise and fall of this movement in ballet. I then thought that the de Luz/Ulbright and Fairchild/Bouder section was the rise of neoclassical ballet, and that one day soon it could be a fading movement in dance. But those are just the silly musings of a ballet student and avid NYCB lover! I think this might be one of the most interesting ballets I have ever seen - and I will always remember Soto and Weese in the pas de deux - pure abandon on Weese's part.
  2. Although I never got to see her dance, I was able to take class from her at ABT's summer intensive and loved her classes. She was so beautiful just to watch give the combinations! I try to think of her class when I watch tapes of her.
  3. I own this tape and although it has been a long time since I have watched it I remember the dancers being excellent and Gracheva captivating. The one thing I remember was the tape being a little dark.
  4. I would have to disagree that Acosta and Carreno are not typical products of the school. There are many dancers, male and female, of their caliber. I would say that Rolando Sarabia and Joel Carreno are on par with them, along with many others. I also think that Viengsay Valdes is one of the best female dancers (and turner) - and how could I forget Alihaydee Carreno? There are also other Cuban dancers dancing in other companies in the US that I think are amazing. While this is my opinion I think it to be a true one. You have to admire what Alicia Alonso has done. Those in NY are so lucky to see this company - also those in Boston who get to see Mr. Sarabia!
  5. Ms. Leigh, would it be to impolite for me to ask if you would mind making another copy? I saw this tape several years ago and have looked for it ever since (I was able to find the book). I certainly understand if you wold not want to. I would be happy to pay you or send a you a blank video tape. Rachel:)
  6. That is a video to look for!
  7. I believe he was a frequent partner of Alicia Alonso - if I am wrong please correct me! Rachel
  8. Yes! Her turnout is impeccable! The only dancer I can recall that can do an arabesque with minimal opening of the hip! When I saw Alicia Alonso I noticed her walk - almost completely turned out. I only wish I could have seen her perform live - being a ballet student I learn so much from watching her on film. Rachel
  9. There will never be another Alicia Alonso. She was artistic, yet virtousic, musical yet technical. I think she brought ballet a big step forward. To think that she originated the lead role in Theme and Variations is only a testament to her talent. (As you can tell, she is a huge favorite!). Rachel
  10. Well, I do buy pictures, but mostly Nureyev! I have a few NYCB pictures though. My collection of photos doesn't compare to yours. I'm mostly a program collector! Rachel
  11. Good luck in your quest for Fokine memorabilia!
  12. Thank you very much! I will have to check that out.
  13. Thank you so much! I very glad to know that as a lot of ballet performances I would like to have, are European. That is a must to go and look for one! Thanks again! Rachel
  14. I enjoy collecting ballet memorabilia off of eBay and I also buy ballet books off of Strand, ABE, and Alibris but I was wondering if there are some other places to shop online. Ballet pictures are a favorite of mine to collect - any info would be helpful. (I hope I posted this in the right place, if not, feel free to move it). Thank you! Rachel
  15. I don't find it bothers me. At the SI I attended very important people watched the class (many who I dreamed of meeting/seeing) and for some reason I found it great inspiration - I didn't feel the need to show off, just thought about working my hardest! Rachel
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