DanielBenton
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Posts posted by DanielBenton
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The RDB 2015 Swan Lake is up on YouTube. I am interested if anyone has seen it and their reaction.
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I am hoping fervently that this will be the true history of the revolutionary and post-revolutionary Imperial Theatre, avant-garde ballet, GB, Goloizovsky, Lopukhov, et al., as recounted by Slominsky and others including Kendall.
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Wow, this could be really... I jump to the conclusion that the main interest here is to follow the book down the path of speculative hyper-interest in the relationship of GB and Lydia. If well done, then it could be enjoyable ---- fiction or non.
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I can tell you that Craft's recordings of Schoenberg, Berg and Webern were incredibly important to us studying composition in the 60s.
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Part of the fun of seeing Chinese opera in San Francisco was watching and listening to entire families eat their lunch during the performance.
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Thank you Syrene for the thoughtful review. I think Alenius is a good composer and as you say, once you buy into it, Act II is very interesting.
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I just watched the new blu-ray DVD of Napoli. There is a lot of new music, written by Louise Alenius, for Act II. The overall look is kind of west-side-story urban Italian. There are almost no program notes. I would like to hear what others who know this piece much better than I think about it.
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I think we are agreeable. Although I think Bernstein and Robbins for the most part were very fine artists, it brings to mind Erick Hawkins' great comment - because he believed that the role of the artist is to be like a high priest dispensing universal truths - he said, (to paraphrase), "if you're going to get up and self-express, you might as well just get off the stage". Very funny!
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Jack, thanks for the perspective. it's an individual discernment or taste to decide whether a theatrical incident shows a larger artistic truth (my view of e.g., Wozzeck, Lulu, Don Giovanni) or is a local frisson (thanks for that word) merely illuminating the mind(s) of the authors.
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Kathleen, absolutely right on! So then it becomes a theatrical decision about changing what was offensive in other times to something else for today's sensibilities.
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This is an eye of the beholder opinion: I find the purse episode creepy and more telling about Robbins/Bernstein vs. a dramatic element that strengthens the work. I found it distracting when I saw this work at NYCB last year (I think it was last year).
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Jack, there is now up on YouTube the Kirov doing Scotch Symphony from 1989, with Elena Pankova and Alexander Kurkov. I especially like Pankova evoking La Sylphide in the pas de deux. Is this the performers you saw?
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About 1/2 hour into the appointed time for the "live feed" I went to the website but saw no link or obvious path to join in. But I can watch it now!
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Thanks Jack, I could not figure out what was going on last night!
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I'm really enjoying this thread! We were at the Kennedy Center Opera House to see "Beautiful" last week. I noted 12 urinals in the men's room. Every one of them could be a naming opportunity
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Interesting. Of course Balanchine said it was incorrect to call his ballets abstract. Maybe Eifman is referring to other choreographers?
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There is more footage of Lupe Serrano in the just-released VAI DVD 4586 - "ABT: Historic Bell Telephone Hour Telecasts 1959-1962". In addition to a repeat of the Elgevsky bits and pieces from Giselle Act II; there is Le Corsaire Pas de deux with Nureyev, and Balanchine's Raymonda Grand Pas de Dix with Royes Fernandez.
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Very fine documentary. Many excerpts. (Priceless = dancing to BeeGees @ 38 minutes)
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Thanks for letting us know about this wonderful interview. The discussion of how music and ballet (should) go together is outstanding.
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Thanks so much for posting this very interesting interview
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I think having a subscription gives you the ability to exchange your tickets for other available dates. There may also be a small discount in the price for any additional single tickets you buy.
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Pherank, no kidding! I asked a video expert if there was any way to clean up Episodes and Ricercata. He said, possibly but it would be prohibitively expensive to do so.
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An almost unwatchable video of part of Episodes (Concerto Op.24 and Ricercata) has been on John Clifford's google+ webpage for a while. Allegra Kent is astonishing in Concerto and Renee Estopinal is lovely in Ricercata but be forewarned the video quality is hideous.
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I just read it. Homans describes the production and how Balanchine's emphasis in the ballet diverges from the novel: Balanchine and Don Quixote are similar in character, but in the novel Quixote has more social relationships and in the ballet (apparently) he is much more of a loner. She points out the obvious parallels to Balanchine's own life, most especially with Dulcinea/Farrell. Homans evokes what must have been a poignant spectacle, when on the several occasions including the gala dress rehearsal, Balanchine himself played Quixote.
Dans2Go: Swan Lake Act 2/In Life & Love & So On
in Royal Danish Ballet
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Thank you Syrene. I found it visually stunning and it would make a great blu-ray DVD. I am still digesting the content and considering the match of dance to music which I did not find convincing on my first viewing. I thought the overall mood of this production was somewhat at odds with the mood that the music dictates...but that is just my initial opinion on first viewing. I will be watching it again!