Regardless of the interaction between two prima balerinas I am puzzled why Makarova was coaching Lopatkina at all.Uliana has a coach at the theatre( Irina Chistiakova)and it certainly wasn't her debut in this part.She's been dancing Swan Lake for years by now and is considered one of the great interpeters of the role.I am not saying that there's no room for improvement or that she can't incorporate some of Makarova's corrections into her performances, but they are two totally different dancers and as Makarova was one of the greatest O/O of her generation, so is Lopatkina of hers.They both graduated from Dudinskaya's class more than 30 years apart and times do change.
Artistry and dedication are constant,but approach and interpretations have a right to be different.
By the way nowhere in Makarova's autobiography there are unflattering words about Dudinskaya, who was one of the greatest Russian dancers of all times,Vaganova's favorite student and one of the best teachers at Vaganova school and a great coach at the theatre.Dudinskaya was very strict to Makarova but never stifle her individuality.There were lots of things that Dudunskaya can be accused of,but she was good to Makarova( see pages 50,51,52).