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yiannisfrance

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About yiannisfrance

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  • Connection to/interest in ballet** (Please describe. Examples: fan, teacher, dancer, writer, avid balletgoer)
    fan
  • City**
    Annecy
  • State (US only)**, Country (Outside US only)**
    France
  1. Some sublime extracts from a report on Greek television with Sylvie Guillem and Massimo Murru for the premiere of "Marguerite et Armand" presented at Megaron Mousikis in Athens this Christmas. Sylvie also presented there "Sacred Monsters" (7 performances + 6 of "Marguerite et Armand" in about 10 days. A true Greek marathon). http://www.megatv.com/megagegonota/summary.asp?catid=27386&subid=2&pubid=32796782
  2. Wonderful to have such a great artist back. I am really looking forward to her upcoming collaboration at La Scala with Neumeier based on Eleanor Duse.
  3. For those of you who will be in Athens, Greece during Christmas time, you have a rare chance to catch Sylvie Guilem in two very different facets, in modern and classical dance. She will be presenting at the Megaron Mousikis (Megaron Concert Hall) in Athens from December 19th to December 23rd "Sacred Monsters" with Akhram Khan and then, even more dazzingly "Marguerite et Armand" with Massimo Murru and the Tokyo Ballet from December 25th to December 30th. For more information, look at the following link (4 pages with Sylvie's performances) http://www.megaron.gr/default.asp?pid=35&la=2&c
  4. Wonderful Since official recordings of Guillem's performances are more than rare, these glimpses are all the more precious.
  5. Actually that "stunning" quality is still very much present, like when she reprised her Manon at La Scala in 2011; it was a summit by anyone's standards and having seen her in that part in the past I would very safely say that not only she had lost none of her stunning qualities, she gained with time and the result was utterly amazing. The same would be said when she did "Steptext" recently in Florence she really was extraordinary. I can understand people's hesitations about more recent repertory (although I can take anything with Sylvie) but she still ventures into the classical or neoclassic
  6. Sylvie is now appearing until June 25th at the Chekhov International Theatre Festival at the Mossovet Theatre in Moscow with "6000 miles away". Her partner for Forsythe's "Rearray" is Nicolas Le Riche. They added two extra performances for her shows due to the demand for tickets. http://www.chekhovfest.ru/en/program/ Right away after Moscow, next stop Paris at the Théâtre des Champs Elysées where she is reprising her hit show "Sacred Monsters" for 3 performances, June28th, June 29th and June 30th 2013. http://www.theatrechampselysees.fr/danse/sylvie-guillem-akram-khan
  7. 1) With regards to Sylvie Guillem, she now has besides her official web page, an official Facebook page. This is the address: https://www.facebook.com/pages/Sylvie-Guillem/206175282869244 2) I saw the performance of Sylvie in "Steptext" in Florence twice. Unfortunately due to a strike movement, the premiere was cancelled and various problems of organisation arose since the compagny of the MaggioFiorentino is in danger of closing down. But fortunately the Divine Sylvie was there to grace the stage for three nights. The ensemble program was of great quality. The first piece was Balanchine's "T
  8. Sylvie Guillem will be performing William Forsythe's "Steptext" a piece she has not performed for many years (so this makes the event all the more rare and exceptionnal) at an evening on great choreographers which will take place in Florence at the Teatro Communale, from June 10th to June 13th. Also in the program, pieces of Balanchine, Kylian and Foniadakis. Here is the link for more information on the event: http://www.maggiofiorentino.it/content/grandi-coreografi
  9. I would hardly call Sylvie Guillem a "dull" dancer as she is considered as elegant and "cool" as any dancer can be, with an extraordinary diversity both in classical and modern dancing and she sure has personality on and off stage. I know that some people do not like her, but there can be no doubt that there is an era before and one after Sylvie Guillem. Most dancing schools around the world and most dancers single her out as a model (people like Vishneva, Zakharova, Lopatkina, Rojo, Cojocaru, Letestu etc) and she has inspired so many great choreographers and directors (Nureev, Bejart, Forsyth
  10. I hope they do that. Many people are dreaming see Sylvie Guillem returning to the Paris Opera where she made her sensational debuts many years ago (her last visit there was 2003 if I am not mistaken for her sentational Manon). Nothing is certain, but there is hope and Sylvie seems willing to dance Manon (she is still at the peak of her powers as she proved during the triumphant performances of "Manon" at la Scala in Milan recently). Le Riche is still dancing, not that much at this season though at the Paris Opera House but he is still a possibility. There is also Massimo Murru who after Lauren
  11. Thank you for sharing this, it made me live the Manon representation at La Scala all over again. Amazing, isn't it? She is still as light as a feather, a heavenly dream, sensual, fascinating, unique and I could go on and on.
  12. Yes, it is indeed wonderful to see in in the classical repertory. I was lucky enough to see her several times when I was living in Paris at the Paris Opera House and in London as well as Manon, Juliet (in the MacMillan and Nureyev version), Giselle, Sleeping Beauty, Marguerite and Armand). I honestly hope that her triumphant return at La Scala as Manon will convince Sylvie to do more classical work in the near future, since there is no doubt that she is still at the peak of her powers, but I am not certain that she will. What is certain is that she is preparing a new work with three great c
  13. Thank you as well. It was such a magical experience, I am still in heaven thanks to "Mademoiselle Non", who said "oui" and returned at last to the classical repertory.
  14. I was at La Scala for the première of "L'histoire de Manon" with Sylvie Guillem and it was in every sense of the word an unforgettable experience. Even while entering the prestigious theatre of La Scala one was aware that this was a very special event indeed. Was I apprehensive too? Yes, with no doubt. I was scared to death. Adoring Sylvie like I do, still I was wondering. Would she be able to pull it off? I had already seen Sylvie in her incomparable Manon three times before this performance, the first being in 1998 forn her triuphant return at the Paris Opera at the Palais Garnier where she
  15. The scenes censored in the widely circulated print of "Mata Hari" and included in the original print make a lot of difference for comprehending both the characters of Mata Hari and Rosanoff played by Novarro. Even the first dance scene of Mata seems much more sensual and original if seen in its longer version. On the DVD released by Warner Bros and the print shown on TCM (and in most repertory movie houses), the dance scene seems short and even awkward. But the additional footage adds something, an element of eroticism, a provocative and ambiguous touch which would be in line both with Garbo's
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