I so agree with Amour. IMO, much of this production's new choreography borders on the hideous. It is totally lacking in any grace, transcendency, craftsmanship or narrative coherence. At times it appeared extraordinarily unflattering, especially the lifts, from my vantage point in the orchestra.
I know this is harsh but we are talking about Sleeping Beauty. There is a reason that companies perform the classics and it is not simply to sell tickets. This ballet has a beloved and starry provenance. Fortunately, the legacy of Sleeping Beauty came to glowing life through Alina's superb classicism and nuanced characterization. And if you are going to the trouble and expense of mounting a new, traditional production of Sleeping Beauty, it defies logic to turn it into a cartoon. Costumes should be well designed so they don't obscure the dancer's line and weigh them down. The color palette should not be garish to the point of distraction. The staging should be expansive so the dancers can breath. There is a sense of majesty and wonder about Sleeping Beauty. But yesterday, the only wonder was Alina.