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Jayne

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Posts posted by Jayne

  1. On 5/4/2018 at 3:41 AM, Laurent said:

    While talking about "hype", Olga Smirnova may have been the most heavily promoted and hyped dancer in living memory. It took her an enormous effort to live up to that hype as she is most definitely not a naturally born dancer. From the very beginning her other qualities were far outweighing her ability to harmoniously move her limbs...”

    "The era of Vishneva/Lopatkina/Zakharova" existed, I think, only for Russian expatriates writing on various ballet fora. I am not sure how much either one of them will be remembered, say, in 30 years.”

    I certainly would not put Ms. Smirnova in the same gangly category of the young Alina Somova - who Mr.Vaziev himself prematurely promoted to principal.  I fault Ms. Smirnova for the dearth of acting skills (a must at Bolshoi)  but I do not find her ungraceful or unmusical.  

  2. I think we could treat it like opera singing: best mezzo, soprano, etc.  But the best Grigoeovich specialist might botch Balanchine badly (and the reverse might apply).  

    Anothee analogy might be sculpture: I like da Vinci and Rodin for very different reasons.  But I think they both should be shown to the public and new artists also given showcases.  

  3. Well, thr director is also tall, and shown beautifully in Balanchine roles, and danced well into her 40’s. Vera should get some great “tall girl” roles. 

  4. On 4/19/2018 at 11:53 PM, pherank said:

    Did Martins' retirement really cure what ails NYCB company culture? The bigger problem there may be that bad behavior was so often tolerated or simply ignored.

    I cannot recall criticisms of NYCB outside of Peter Martins’ behavior and management choices.  Can you enlighten us?  

    A company as large as POB really needs a larger management team.  I lament that Madame Dupont did not hire an Associate AD with more management experience to help light the way forward.  

  5. The video is a cheap shot, and the bobbles happen to all dancers.  Especially the devilishly difficult Petipa works.  

    That said, she built up expectations of superior abilities with her PR machine and people expect a full technical show for their inflated ticket prices. 

    Ms. Copeland should focus on the roles that she can successfully dance.  I would buy a regular priced ticket to see her in the right role.  (Firebird, etc)

    But she should stop trying fouettes if the results look poor on the stage.  

  6. 14 hours ago, Drew said:

    Given what you say about her Video blogging in Russia...perhaps she has just decided to approach her job in Korea differently? 

    One can only hope!

    She is just 23 years old, and has no outside professional work experience to give her perspective.  Apparently her parents haven’t given her any either (or have been unsuccessful to influence her).  

  7. Eduardo - that cast at BsAs Teatro Colon sounds superior than your ABT options. 

    Good to learn Paloma can attract top talent.  

    Addendum:  skip ABT and go see New York City Ballet’s All Robbins program at 7:30pm.  

         In G Major

         Afternoon of a Faun

         Antique Epigraphs

         The Concert (or, the perils of everybody)

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