Jump to content
This Site Uses Cookies. If You Want to Disable Cookies, Please See Your Browser Documentation. ×

youdancefunny

New Member
  • Content Count

    6
  • Joined

  • Last visited

Everything posted by youdancefunny

  1. That entire clip comes from the wonderful Balanchine documentary, originally on PBS, now available on DVD from www.kultur.com and elsewhere. The brief opening by Martins (used in the Balanchine documentary) was taken from the "Gala" in The Turning Point in 1977. (It's puzzling that they omitted Farrell entirely on the Balanchine documentary, as she appeared briefly in the Gala scene with Martins.) The complete McBride/Baryshnikov version is in the 1978 "Choreography by Balanchine," originally broacast on PBS, later released on VHS, now available on DVD. I don't know where the Verdy, Hayden, an
  2. Correct me if I'm wrong about any of this, but at least some of that Depression-era art was created under government sponsorship by way of the 'put people to work' programs. I don't know if any ballet or other dance was created as a result of these programs during the Depression, but that might be an interesting avenue to explore: governments tend to focus on 'needs' and if scarce funds were allocated for the arts, then somebody must have thought the arts and artists were 'needed' in some sense beyond simply providing the basic necessities of life (e.g., food and shelter) for the general p
  3. Unfortunately I don't have the article on hand, but considering the economy (assuming you're American!) there have been a number of articles lately dealing with the importance of the arts as a whole, because of budget cuts for programming and because people are trying to save money. So there are definitely some good resources to make this a very relevant and current topic! (If I find that article, I'll post a link). What I took from that article though is that we don't need the arts. But they give life purpose, and empower us in a way to distinguish us from animals. Everything else we do
  4. I've been thinking about writing a novel too (a search turned up this topic) and I think you should avoid naming too many steps. I'm looking for answers about copyrights and such too, but what I have found is that for songs, one can mention a song title, but must mention who it's by. But when you quote actual lyrics, you have a problem and that requires special permission (there is some debate as to whether you can quote a line or two, but not an entire stanza...it's complex). Apparently, it's a generally avoided practice to quote lyrics unless it's absolutely essential to the story. If it
  5. This is kind of an odd topic and a search through the forums archives gave me some info, but does anyone have insight into copyrights and ballets? I've thought about writing a novel, just kind of a fun story (nothing dramatic or serious...I'm no good with that kind of stuff) set at a fictional world class ballet company. However, I'm stumped...I feel like briefly describing a ballet company's entire season is kind of integral to the story for realism. Things are always dicey for Balanchine stuff, and maybe Ashton and MacMillan as well? From what I gather, because they are deceased, mention
  6. youdancefunny

    Hallo!

    I'm Steve and this, is my story. I discovered ballet whilst a college student, and have basically been obsessed ever since. I was (am?) a classically trained flautist, and was always the geeky kind of person to buy classical music cd's rather than what's new or "in" (this, I DEFINITELY still am). Naturally, ballet fits my tastes like the chocolate coating on a truffle and I loved being able to dance to music that I could relate to. I read and learn as much about ballet as I can, but with a light hearted approach. History was never my strongest subject in school, and accordingly I will nev
×
×
  • Create New...