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silvermash

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Posts posted by silvermash

  1. Rearray/Blakes Work 1(Forsythe)/Impasse (Inger)
    Mayerling (MacMillan)
    Paquita (Lacotte) Bastille Opera
    Play (Ekman)
    Dance school Demonstrations
    Onéguine (Cranko)
    La Belle au bois dormant (Noureev) Bastille Opera
    OCD Love (Creation by Eyal)/Appartement (Ek)
    Continuo (Tudor)/Napoli Tarentelle (Bournonville)/7 danses grecques (Béjart) Dance school show
    Sylvia (Legris)
    Creation by Schechter

  2. 21/09/2023    Gala : Défilé/ Horizon( Xie Xin) / Brutale (Marion Motin) / The Seasons’ Canon (Crystal Pite)
    23 /09-12/10/2023    Horizon( Xie Xin) / Brutale (Marion Motin) / The Seasons’ Canon (Crystal Pite)
    24/10-10/11/2023    Jerome Robbins (En Sol/In the night/The Concert)
    3/16/12/2023    Ecole de danse - démonstrations
    8//31/12/2023    Jiří Kylián (Stepping Stones/Gods and Dogs/Petite mort/Sechs Tanze)
    8/12/2023-1/01/2024    Casse-Noisette (Rudolf Noureev)
    7/02-02/03/2024    Sadeh21 (Ohad Naharin)
    15/03-01/04/2024    La fille mal gardée (Frederick Ashton)
    21/03-24/04/2024    Don Quichotte (Rudolf Noureev)
    13-16/04/2024    Ecole de danse–Les forains (Roland Petit)/Un Ballo (Jiří Kylián)/Suite en blanc (Serge Lifar)
    17/04/2024     Gala des écoles de danse The Canada’s National Ballet School / L’École nationale de ballet du Canada (Toronto), The Dutch National Ballet Academy (Amsterdam), La Fondazione Accademia Teatro alla Scala (Milan), The School of the Hamburg Ballet John Neumeier (Hamburg), The San Francisco Ballet School, The Royal Ballet School (London), The Royal Danish Ballet School (Copenhagen).   
    02/05-1/06/2024    Giselle (Jean Coralli, Jules Perrot version Patrice Bart)
    21/06-14/07/2024    Le Lac des cygnes (Rudolf Noureev)
    22/06-14/07/2024    Barbe Bleu (Pina Bausch)

  3. José Martinez has already worked on new versions of classical ballets when he was AD of the Spanish national dance company and since he left the direction, he’s a freelance choreographer with more pieces such as this Corsaire for Eleonora Abbagnato Rome Opera Ballet.

    When he was still dancing in Paris, he also choreographed a lot of short pieces that were danced by a small group of POB dancers touring all over Europe and those were neo classical. I remember well Delibes suite and Mi Favorita.

    His bio on POB web site : https://www.operadeparis.fr/en/artists/jose-martinez  

     

  4. It was heartbreaking. She just made the entrance of Giselle and got injured in the jumps after the turns. There was a full run of bows from the cast with Bleuenn Battistoni who replaced her so nearly for the entire act. Alice just came in at the end with Aurélie Dupont and Alexander Neef for just these moments to explain she will be back. I think it was reassuring for the audience who came for her to see her smile a little.   

  5. I think when he was referring that no one would be in the wings, Stéphane meant during the performance. Because the following act Boléro starts straight from Another Place ballet and the wings are used as part of the ballet, indeed the wings are cleared except from the Boléro dancers. Another Place and Boléro are set as a one act piece although they don’t have much in common, and curtain calls are at the end of the Boléro for Another place dancers.
    But of cause, as soon as the Boléro finished, a handful of POB dancers, new and past, ballet masters, etc. invaded the place and quite a few were drag on stage to hug Stéphane warmly. A lot of past Etoiles travelled from afar to be there such as Eleonora Abbagnato of course, now Rome Opera ballet AD,  Manuel Legris, Milan Scala AD, Claire Marie Osta from Stockholm Royal Opera dance school, Jose Martinez from Spain, etc. Madame Dupont offered a bouquet,  a long hug was dedicated to Agnès Letestu, one of his other beloved partner as well as Alice Renavand, his dance school mate who is retiring next month, a very moving moment.
    The audience was hugely warm and welcomed Stéphane at the beginning of the performance with loud applauses that were quite unexpected and at the end, the farewell with confetti shower and flowers were in front of a standing ovation of more than 20 minutes. Stéphane Bullion is a discreet dancer, absent from social media, but it showed last night that it’s not necessary to constantly communicate to be loved by a huge crowd.

     

  6. Next season is on Paris Opera www

    Alan Lucien Øyen
    Creation
    Palais Garnier
    from 20 Sep to 13 Oct 2022

    Mayerling - Kenneth MacMillan
    Palais Garnier
    from 22 Oct to 12 Nov 2022

    Kontakthof - Pina Bausch
    Palais Garnier
    from 02 Dec 2022 to 01 Jan 2023

    Démonstrations de l'École de Danse
    Grand Foyer
    from 03 to 18 Dec 2022

    Le Lac des cygnes - Rudolf Noureev
    Opéra Bastille
    from 10 Dec 2022 to 01 Jan 2023

    George Balanchine
    Ballet Impérial - Who cares?
    Palais Garnier
    from 06 Feb to 10 Mar 2023

    Hommage à Patrick Dupond
    Défilé du ballet, Le chant du compagnon errant, Vaslaw, Etudes
    Palais Garnier
    from 21 to 23 Feb 2023

    Bobbi Jene Smith
    Creation
    Palais Garnier
    from 17 to 30 Mar 2023

    Spectacle de l'École de Danse
    Palais Garnier
    from 15 to 18 Apr 2023

    Soirée exceptionnelle en l’honneur de Claude Bessy
    Palais Garnier
    on 19 Apr 2023 at 7:30 pm

    Maurice Béjart
    Oiseau de feu – chant du compagnon errant - Boléro
    Opéra Bastille
    from 20 Apr to 28 May 2023

    The Dante Project - Wayne McGregor
    Palais Garnier
    from 29 Apr to 31 May 2023

    Peeping Tom
    Guest company
    Palais Garnier
    from 07 to 11 Jun 2023

    Signes - Carolyn Carlson
    Opéra Bastille
    from 19 Jun to 16 Jul 2023

    L'Histoire de Manon - Kenneth McMillan
    Palais Garnier
    from 19 Jun to 15 Jul 2023

     

  7. The Paris Opera is organising a Concert for Peace in support of the victims of the conflict in Ukraine on Sunday 27 March at 8pm at the Palais Garnier.
    It consists of an evening of ballet, concert and opera.
    With the participation of Etoiles Stéphane Bullion, Mathieu Ganio, Dorothée Gilbert and Alice Renavand, First soloist Marion Barbeau, sujet Simon Le Borgne and  two Principal dancers from the National ballet of Ukraine, Katerina Kukhar and Alexander Stoyanov
    https://www.operadeparis.fr/en/season-21-22/concerts-and-recitals/concert-for-peace

     

  8. yes. I had a second view last night with a different cast and  it seems to me that too much is missing than a cut of all the unnecessary scenes that don't add anything to the story. You never get into the complexity of the characters, they don't carry the story. It's more of a series of variations and pas de deux of different styles put end to end and it's not helped by the coutless changes of scenes ... this choreographic problem could only be solved by reworking the choreography to bring  a real storytelling though it and also emotions.

  9. Up to me, it’s a beautiful production with gorgeous set (painted canvases  in trompe l'oeil technic, a very beautiful know-how of the opera house) and great costumes. However the ballet is too long, ill constructed with too much scenes and characters. It needs a stricter editing… I'm not a big fan of the choreography either, it's sometimes too repetitive, presumably to characterize the roles but during 3 hours, it becomes redundant...

  10. 14 hours ago, miliosr said:

    It's hard to know exactly what her standing is (as compared to her rank.) Based on the published casting for the Roland Petit evening and Romeo and Juliet, I wouldn't say she's cast especially prominently. I don't see her name as one of the leads in any of the Petit one acts and I only see her cast as Rosaline in Romeo and Juliet. This in comparison to her fellow premieres Hannah O'Neill and Sae Eun Park, who are very prominently cast (the Petit evening for the former and Romeo and Juliet for the latter.)

    I think she was not considered versatile enough for POB repertory compared to Park or O’Neill or Barbeau. However, in the past few years, she did a lot of contemporary pieces so perhaps it will change.

  11. 14 hours ago, Merit said:

    Appology first, just a bit off the topic, is there any news on Bullion's farewell? He was born in Feb, 1980, so his show should be no late in Oct, 2022. I wonder he will chose a regular full-length before july, or in oct, or like Pujol, has a special time at Défilé?

     

    Aurélie Dupont mentioned in an interview that Stéphane Bullion and Alice Renavand will leave next season but didn't say when

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