Jump to content
This Site Uses Cookies. If You Want to Disable Cookies, Please See Your Browser Documentation. ×

alpha754293

New Member
  • Posts

    3
  • Joined

  • Last visited

Posts posted by alpha754293

  1. if you mean on CD. i can't say.

    i suspect there is music notation in the following study, listed below, by A.H.Guest:

    Guest, Ann Hutchinson: La vivandière pas de six / choreography by Arthur Saint-Léon ; transcribed from Saint-Léon's notation score by Ann Hutchinson Guest ; music by Cesare Pugni and Jean-Baptiste Nadaud

    Lausanne : Gordon and Breach, c1994

    there are a number of videos (now on DVD) of this work, i think the one with Sizova and Blankov in the leads is recorded w/o an audience (and applause) on the disc. but i'm not sure.

    here's how the video mentioned above is given in the NYPL dance coll. cat. (it might have been released on dvd under a slightly different title, but here's how the program if dances should be listed on the packaging.)

    The Kirov Ballet: classic ballet night [videorecording] c1982. 87 min. : sd. color

    Performance onstage by the Kirov Ballet.

    Director: Nina Dimitrieva.

    Copyright 1982 by Soviet Film and TV. Reissued as a videotape in 1986 by V.I.E.W. Video, New York.

    Diana and Acteon grand pas classique. Chor: Agrippina Vaganova; mus: Cesare Pugni. Perf. by Tatiana Terekhova, Sergei Berezhnoi, and ensemble. - Esmeralda pas de six. Chor: Marius Petipa after Jules Perrot, restaged by Agrippina Vaganova; mus: Riccardo Drigo. Perf. by Gabriella Komleva (Esmeralda), Vitali Afanaskov (Gringoire), and four women. - Flower festival at Genzano pas de deux. Chor: Auguste Bournonville; mus: Edvard Helsted. Perf. by Natalia Bolshakova and Vadim Guliaev. - La vivandière pas de six. Chor: Pierre Lacotte after Arthur Saint-Léon; mus: Cesare Pugni. Perf. by Alla Sizova, Boris Blankov, and four women. - Grand pas classique from Le carnaval de Venise. Chor: Marius Petipa, restaged by Nadezhda Kranocheyeva; mus: Cesare Pugni. Perf. by Svetlana Efremova, Valeri Emets, and ensemble. - Pas de quatre. Chor: Anton Dolin; mus: Cesare Pugni. Perf. by Galina Mezentseva (Taglioni), Gabriella Komleva (Grahn), Irina Kolpakova (Grisi), and Elena Evteeva (Cerrito).

    The book itself has only a part/segment/excerpt of the music. But not the whole thing.

    I tried looking up the Czech National Symphonic Orchestra for the recording (for The Joffrey Ballet) and couldn't find it.

  2. The one that is seen in the movie "The Company" is a revival and slightly modified version than the original as presented by Arthur Saint-Léon, and choreographed specifically for The Joffrey Ballet.

    The Kirov version (as far as I can tell from Labanotation) is more "truer" to the original version; even though it was still modified during the variously "revival" periods.

    Also in the movie, during the rehearals, they were practicing Variation 2, and the one where Suzanne (Prisco) snapped her tendon (in her achilles heel?) is Fanny's Solo Variation 3.

    Variation 2 starts at M.22

    Julianne Kepley originally started the rehearsal piece and ended up performing it.

    (from the same book)

    Quote:

    Third Variation - Fanny's Solo

    Fanny Cerrito performs the Third Vairation. It requires a good ballon, an easy rebounding quality. With the proliferation of sissonnes battus she needs to use charm and some variation in emphasis to provide interest. The 6/8 meter is counted as 2 beats to the measure in phrases of 8 counts (4 measures). In the second introductory measure (2) 'dancer's counts' are introduced as an aid in learning the irregular sissonne patterns. These counts are small.

    (Study and Performance Notes, p. 36).

×
×
  • Create New...