Thank you for good words. I understand that it's "work in progress" and hope to improve it.
Did you study "Two essays..." as a dancer or a scholar?
DanceForms, clone of LifeForms, by CredoInteractive. It is brilliant dance notator Rhonda Ryman who develops it (this information is also provided on youtube together with both animations).
Oh, yes, it was Gorsky who revised Giselle in pure mime style and you gave me idea to translate the description of this staging made by Vera Karalli. As for Don Quichotte the Bolshoi dancer and teacher Anatoly Kuznetsov wrote in one of his article comparing Gorsky and Petipa that "Now (in 1960s), Don Quichotte is the staging of the whole Moscow company but it was developed on the principles of Gorsky". Some of the Gorsky's ideas on Swan Lake was actually used by choreographers in Soviet era, f.e. jester which is so hated by ballet critics in the West. Gorsky liked to do such things to animate abstract classical compositions by mime and make it more real and playful. Also, Gorsky was the first choreographer ever created symphonic ballet – to Glazounov’s Fifth Symphony in 1916.
The site of Bolshoi was upgraded to the opening of historical stage and old links doesn't work now. Of course, it is pity that none of the works will be revived to 140th Anniversary because Don Quichotte is still in repertory, another titles as Swan Lake, Coppelia and La Fille Mal Gardee made by other choreographers are also in repertory and cannot be substituted and there is delusion shared even by fans of Moscow dance school that a little of his original works was survived. On the other side Bolshoi has restored the memorial table (plaque?) on the building of New Stage, devoted one of the Quichottes performances to Gorsky, re-opened museum exhibition on Gorsky and supported some researches, f.e. new book of Elizabeth Souritz which includes chapters on Gorsky's first stagings in Moscow and presentation on Gorsky on EADH conference in London.