Buddy Posted April 24, 2018 Share Posted April 24, 2018 Any review that delves into the ‘Sea’ of Simone Messmer is a friend of mine. “In MCBs Program III, Messmer showed during Robbins’ “Other Dances” a knack for treating pianist Francisco Rennó as a co-equal performer, and she did that during “Concerto DSCH” as well. Rennó was astonishing - prestissimo doesn’t capture the velocity of his playing in the first and third movements.” “For instance, during the adagio second movement, Messmer animated a simple arabesque in very different ways depending on the piano’s dynamics.” http://www.danceviewtimes.com/2018/04/miami-city-ballet-ends-season-with-ratmanskys-concerto-dsch.html (thanks to BalletcoForum) Link to comment
Recommended Posts