sf_herminator Posted April 16, 2018 Share Posted April 16, 2018 Opening night casting for Unbound A has been posted (https://www.sfballet.org/season/casting) UNBOUND A Friday, April 20, 2018 - 8 pm THE COLLECTIVE AGREEMENT Choreography: Alonzo King Music: Jason Moran Conductor: Martin West Sofiane Sylve*, Tiit Helimets* Jahna Frantziskonis*, Joseph Warton* BOUND TO© Choreography: Christopher Wheeldon Music: Keaton Henson Conductor: David Briskin Frances Chung*, Sasha De Sola*, Isabella DeVivo*, Jennifer Stahl*, Yuan Yuan Tan* Jaime Garcia Castilla*, Carlo Di Lanno*, Benjamin Freemantle*, Angelo Greco*, Lonnie Weeks* HURRY UP, WE'RE DREAMING Choreography: Justin Peck Music: Anthony Gonzalez, Yann Gonzalez, Bradley Laner, and Justin Meldal-Johnsen Dores André*, Wei Wang* Sarah Van Patten*, Luke Ingham* Gabriela Gonzalez*, Ulrik Birkkjaer* Casting is subject to change * denotes premiere in ballet Link to comment
sf_herminator Posted April 20, 2018 Author Share Posted April 20, 2018 Tonight's Meet the Artist interview at 7:00 PM will be with Justin Peck, choreographer of tonight's last piece Hurry Up, We're Dreaming. https://www.sfballet.org/explore/meet-the-artists Link to comment
yodasan Posted April 20, 2018 Share Posted April 20, 2018 (edited) That should be good! I look forward to hearing it online someday. Edited April 20, 2018 by yodasan Link to comment
pherank Posted April 22, 2018 Share Posted April 22, 2018 (edited) Alastair Macaulay [in his April 22, 2018 review] stated that Joseph Walsh danced in Alonzo King's ballet opening night - if so, I'm glad to hear that Walsh has returned. But I wonder if that was an error (given that Macaulay may not know what Walsh looks like). Can anyone confirm or deny this? Edited April 22, 2018 by pherank Link to comment
Quiggin Posted April 22, 2018 Share Posted April 22, 2018 (edited) I think he meant Joseph Warton. I too liked the Justin Peck piece best. It was clean, had no false rhetoric and fit the company like a glove. I'd really like to see it again – watching three absolutely new pieces fatigues you a bit, especially for the third one. Warton was excellent but so was Blake Kessler – maybe he'll show up in Shostakovitch part one? The subtitles of Wheeldon's piece pointing out the dangers of cell phone use seemed a bit cliched, and there were some quotes from Russian Seasons I'd rather see in the original. The company seemed to be in top form for all three pieces. Edited April 22, 2018 by Quiggin Link to comment
pherank Posted April 22, 2018 Share Posted April 22, 2018 30 minutes ago, Quiggin said: I think he meant Joseph Warton. I too liked the Justin Peck piece best. It was clean, had no false rhetoric and fit the company like a glove. I'd really like to see it again – watching three absolutely new pieces fatigues you a bit, especially for the third one. Warton was excellent but so was Blake Kessler – maybe he'll show up in Shostakovitch part one? The subtitles of Wheeldon's piece pointing out the dangers of cell phone use seemed a bit cliched, and there were some quotes from Russian Seasons I'd rather see in the original. The company seemed to be in top form for all three pieces. That's what I figured about Walsh/Warton. I just can't remember if I've ever see Warton dance before. Joe Walsh posted a message to SFB and the public on his Instagram account, summing things up: Link to comment
JumpFrog Posted April 29, 2018 Share Posted April 29, 2018 On 4/22/2018 at 6:50 PM, Quiggin said: I think he meant Joseph Warton. I too liked the Justin Peck piece best. It was clean, had no false rhetoric and fit the company like a glove. I'd really like to see it again – watching three absolutely new pieces fatigues you a bit, especially for the third one. Warton was excellent but so was Blake Kessler – maybe he'll show up in Shostakovitch part one? The subtitles of Wheeldon's piece pointing out the dangers of cell phone use seemed a bit cliched, and there were some quotes from Russian Seasons I'd rather see in the original. The company seemed to be in top form for all three pieces. Agree about the Peck piece. I thought it was the strongest although the others might have needed just more time and or development. I think it really takes a special choreographer to know what to choreograph for what company. It cant just be good. It has to be fitting. Link to comment
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