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Maurice Béjart's death


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I froze as I did my daily scan of nytimes.com. The article was filed at about 7:30 AM EST, so I guess that's when the news broke to the English press. I'm also doing a presentation on Bejart for my French culture class, so this news hit me especially hard

He did have a long and rich life, and gave us many beautiful and interesting works to discuss and admire.

:wink:

ngitanjali

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http://tf1.lci.fr/infos/people/0,,3629238,...oregraphe-.html

Claude Bessy's feedback. She's very moved. It's very unusual to see her like that when you have known her as POB's school director. She is saying that:

1) She saw Maurice Bejart last week. He wanted to die, because he was suffering very much.

2) He made necessary legal arrangements. Gil Roman may take the lead in Lausanne. The legal rights of MB's works have been given to several dancers.

3) He seemed to have asked her to be a supervisor in this process, but it isn't very clear

4) If dance has a public today, it is because of Maurice Bejart

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Thank you, cygneblanc, Estelle, and Azulyn for bringing this sad news to Ballet Talk.

I think it is impossible for ballet fans in America to understand just how huge Bejart is in Europe. This past summer, in Paris, I mentioned to a young woman I met that we were going to the ballet that night and her response was ... "Ah, Bejart!" This was said with a huge smile of recognition. It wasn't Bejart, as it happened. But the immediate assosciation she made, connecting "ballet" and "Bejart," stuck in my mind.

We've discussed Bejart on and off on Ballet Talk, most recently in a thread about his Firebird. I dont' know if this thread is the appropriate place to consider his influence on ballet. But I was struck by cygneblanc's summary of one of Claude Bessy's points:

If dance has a public today, it is because of Maurice Bejart
Is this generally accepted in ballet circles in France? How much truth is there in the statement?
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Sad news

But I was struck by cygneblanc's summary of one of Claude Bessy's points:
If dance has a public today, it is because of Maurice Bejart
Is this generally accepted in ballet circles in France? How much truth is there in the statement?

I don't know about France but I'd say it's largely true for Greece especially in regards to the male audience between the ages of 40 and 60. I've lost count of the people over 40 I know who became interested in dance and ballet after watching Bejart in the 60s, 70s and early 80s.

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Well, Bart the sentence "If dance has a public today, it is because of Maurice Bejart" is actually a litteral translation of Claude Bessy's own words.

Personaly, I wouln't go as far as Claude Bessy, but I think it is because I'm too young for having known well what seems to be Bejart's most flourishing years, I mean in the 1960-1970 years. I think she means that Maurice Bejart was the one who democratized ballet in Europe and brought it to wider audiences in unusual venues. In that sense, I think she's right. A lot of young dancers I know have a real devotion and fascination for Maurice Bejart. The experience of dancing Variations Don Giovanni and working with Shona Mirk (I may be wrong with her name's spelling) was incredible for them. It is also true that Bejart's name is synonim of ballet/dance among general public. As for myself, I'm not a fan at all of its works, but I appreciate the intellectual process which sustain them and his writings are most interesting. May he rest in peace.

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The photos in the Le Monde articles are both very fine portraits of the older Bejart. In the first, you can see his twinkling eyes. In the second, he is the most vivid presence.

I agree, papeetepatrick, that the section of Elusive Muse with Bejart and Farrell is the sweetest part of the documentary, I also found his comments about her the most moving and reflective.

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Some more news :

http://www.operadeparis.fr/Accueil/Actualite.asp?id=403

There will be a Bejart's triple bill at POB next year

http://www.lexpress.fr/info/quotidien/actu.asp?id=461943

Feedbacks from patrick Dupont, Brigitte Lefebvre, POB's AD, and Christine Albanel, French secretary of State for Culture.

http://www.levif.be/actualite/culture/72-6...ice-bejart.html

Ashes of the deceased should be scattered on a beach in Ostende, Belgium, in the next few days.

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http://www.earthtimes.org/articles/show/146363.html

John Neumier's feedback

http://www.itar-tass.com/eng/level2.html?N...0&PageNum=0

Yuri Grigorovich's ones

http://www.tsr.ch/tsr/index.html?siteSect=...y=1195747566000

a ceremony will take place in Lausanne (salle metropole) next Monday at 4 PM. It doesn't say if it will be with the body or ashes.

http://www.lefigaro.fr/culture/2007/11/22/...de-la-danse.php

Mor feedbacks

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Condolences. Sad that this happened while Suzanne Farrell's season is going on. She never wavered in her gratitude and devotion to him.

Yes, I too am grateful to M. Bejart for taking care of Suzanne Farrell during the time she was away from home, for always treating her with respect, and for presenting her with dignity in his works. And also for giving us a chance to see her dance, during a time that she deepened and matured her sublime artistry. During that short period of the Dance Boom when his company played regularly in NYC, I experienced the profound Hope so often present in his work. It was a different time for Dance, and for Humanity. May all the forms of God that he knew Bless him.

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Personaly, I wouln't go as far as Claude Bessy, but I think it is because I'm too young for having known well what seems to be Bejart's most flourishing years, I mean in the 1960-1970 years. I think she means that Maurice Bejart was the one who democratized ballet in Europe and brought it to wider audiences in unusual venues. In that sense, I think she's right.

My parents were among the numerous people who attended some programs of Béjart's company "Ballet du XXème siècle" in the late 1960s-early 1970s, and my mother was especially impressed with his "Nijinsky, clown of God" (she often says it was ont of the best evenings she ever spent in a theater)... And indeed Béjart was hugely influential for French dance viewers of that generation.

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Béjart was even bigger in Belgium than he was in France. Nearly all of my dance teachers and even my pointe shoe fitter danced for him. He was actually in the process of becoming Belgian and he asked for his ashes to be spread in Belgium. Many many people are very sad and shocked here. Everybody knows his name around here, even people who don't like ballet.

Btw, I'm usually on the forum for dancers, I rarely post here.

Marjolein

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I froze as I did my daily scan of nytimes.com. The article was filed at about 7:30 AM EST, so I guess that's when the news broke to the English press. I'm also doing a presentation on Bejart for my French culture class, so this news hit me especially hard

He did have a long and rich life, and gave us many beautiful and interesting works to discuss and admire.

:thanks:

ngitanjali

Just to set the record straight, and defend the Times -- the NY Times posted it last night -- and I posted it on BT in the obituaries section.

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