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"The last of Peter Martins's defenders?"


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I enjoyed Scherr's review of "Frandieses," which she calls Martins's "best work in years." That was also the prevailing opinion among NYCB fans at last week's premiere and it's one I share. (Of the reviews I've read, only Jennifer Dunning's found it "a disappointment." A disappointment compared to what?) At any rate, in attempting to explain this sudden Martins burst of creativity, Scherr mentions as one possibility "having nothing to lose, now that the last of his defenders among critics had given up on him."

Anybody know what she's talking about?

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