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ksk04

Senior Member
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About ksk04

  • Rank
    Silver Circle

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  • Connection to/interest in ballet** (Please describe. Examples: fan, teacher, dancer, writer, avid balletgoer)
    dancer
  • City**
    los angeles
  • State (US only)**, Country (Outside US only)**
    ca
  1. It's not part of the subscription this year, so I think it was cancelled before it was ever officially announced by SCFTA. We are fresh out of luck!
  2. Yes, she did The Swan last night. But if it is a small injury issue, the Swan is much less demanding than Chopiniana, certainly. AB'sMom will have to let us know about Sunday evening. So far LOVED Osmolkina in Chopiniana with perfect Romantic style and lightness. Loved Tereshkina and Kim in Scheherazade--great chemistry. Kim is so ferocious with the way he cuts through air. Enjoyed Kondaurova in the Swan. Liked her less in Scheherazade though only in comparison to Tereshkina. Pretty neutral on Shklyarov in both Spectre and Scheherazade. Skorik's Swan--it's already a piece I can take only so much of that I really need to like the ballerina in order to enjoy it (layperson S.O. noted that he think it's the perfect vehicle for her though after seeing her in Raymonda and thinking her arms seem radically disconnected from her body). Glad some people are digging it though!
  3. I saw the opening night and don't have time to write more now (going again this evening) but Oxana Skorik was replaced by Osmolkina (hallelujah!) in Chopiniana. The cast sheet didn't specify any reason (it wasn't even noted that there was a replacement being made, though I knew from the online cast sheet that there was a change). Not sure if this is an injury or a replacement due to other reasons.
  4. Agree (though I am not a fan of Skorik). I ended up purchasing three shows to get a good variety of those three, which was especially difficult to account for Osmolkina yet avoid Skorik in something too major.
  5. I bought tickets to four nights under the assumption there would be a debut or two, so I'm pretty disappointed. I guess it's not painful to see Gillian Murphy or Stella again, but... Somehow I ended up with two Misty nights based on my pre-casting booking (I guess I should have known she would get opening night). I already swapped one to see Sarah Lane, but I'm trying to decide if I should swap the other to a Seo/Stearns show??
  6. Here is the casting for the run of Ratmanksy's Nutcracker at SCFTA this year. Thanks to AB'sMom who made me aware that the casting has been posted. Really disappointed they aren't any debuts in the leading roles considering the two new principals--Teuscher and Schevchenko--and the frequency with which some of these dancers have appeared in these roles in this theater for the last two years. On a plus note, I will finally get to see Sarah Lane in it. No Hallberg.
  7. We have casting! https://www.scfta.org/events/detail.aspx?id=16825
  8. I can now get the site to load in Firefox when I just type this into the browser, after reading Helen's suggestion: balletalert.invisionzone.com
  9. Site Issues, Wednesday, July 26

    Ok thanks for the info. Hope the upgrade fixes it. If it helps at all, I am now getting a "connection has timed out / problem loading page" display on Firefox instead of the suspended page that I was getting before.
  10. Site Issues, Wednesday, July 26

    Has there been any resolution? I still can't reach the site from Firefox even though I've cleared my cache, cookies, everything. Am I missing something? I've been fine on Chrome but I don't use Chrome regularly.
  11. La Scala in Orange County in July 2017

    I saw the first show last night with Misty Copeland, Roberto Bolle, and Nicoletta Manni as Myrtha. Overall it was a nice production and La Scala dancers were nice to watch in the second Act, especially. The two dancers (Alessandra Vassallo and Emanuela Montanari) who were Moyna and Zulme were very light and wispy. The corps of 24 Wilis was well unified and created nice shapes/movement together. However, the whole evening was emotionally empty from the three principals. Misty Copeland was pleasant enough as Giselle in the first act, but once the smiley-peasant Giselle was over she was mostly an empty vessel. The biggest issue were her shoes. They are way too hard and because of that she clomped around the stage for both acts--super noisy pointes which is especially egregious in Giselle, imo. I'm guessing she is wearing such a hard shank to help her get through the hops on pointe, etc, but it is really distracting (she slipped off pointe twice during the hops in Act 1, though she got through more than I was expecting). What I took away from her dancing overall is that she mostly seems to be about moving through steps as quickly as possible to get to a "comfortable" pose for her, whatever that is at the moment. Because of that there is not a lot of musicality or drama and the dancing can look tense. I would rate her first Act higher than the second, but I wasn't emotionally involved with her character especially not in the mad scene. Bolle is in great shape but a bit of an empty vessel if he isn't doing the poncey prince bit--hopefully with Nunez he will have a better outing tonight. He sailed through the 32 entrechat sixes but looked like he could have kept going which defeats the whole "dance until death" aspect of the second act. Very solid partnering throughout, though that is to be expected. I thought Nicolette Manni (who will be Giselle today and Myrtha again tomorrow--heavy schedule) had some lovely lightness to her jumps. But she conveyed no authority and there was no real development of Myrtha's character. I can see how she could be a nice Giselle (though I hope she turns on the Romantic style a little...) because she is very petite and light. Hopefully Josette will be able to tell us how she fairs.
  12. La Scala in Orange County in July 2017

    "Interesting" article about why Misty Copeland is appearing with La Scala: http://www.latimes.com/entertainment/arts/la-ca-cm-la-scala-ballet-misty-copeland-20170714-story.html
  13. For those who follow the Mariinsky casting ups and downs more closely than I do, does this casting shed any light on the SCFTA casting for Chopiniana, Scheherezade, Spectre, or Dying Swan the week before?
  14. Veronika Part leaving ABT

    Those are both false equivalencies though. Maybe I could see a stretch to compare Bolle to someone like Vishneva but they (Kotchekova and Bolle) are outsiders and haven't spent 15 years, year-round with ABT. I'm really appalled by how ABT handled this. I also find it weird the other principals weren't/aren't more vocal in at least sending Veronika off. I'd start worrying when McKenzie was going to do something like this to me.
  15. Promotions

    I never thought I'd see the day when Lane was promoted. Great news; excited to see them in Nutcracker out here in December! Still so sorry for Part.
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