I gave a full video of male coda of Saturday matinee in my previous comment. Just for information, Kim doesn't do split jumps (double grand jete entrelace is a right name. "Split", "barrel" - this is ballet slang).
in the first part of the coda he does only several single jetes, he doesn't do a pas de ciseaux, nor saut de basque landed on a knee like others, so he in fact had no chance for what you called an error in this particular combination of steps.
BTW, was there an error? A performer who posted his Bayadere coda in Instagram is very selective of what he posts, .. they all are, aren't they?.. and if there had been a real error, we wouldn't have had a chance to watch it, but we have and we can watch.
Sorry, these are different codas with different steps, if we compare these codas of these Solors, let's be more accurate.
There wasn't any lost of control in manege of double grand assembles either, I m talking about Saturday matinee. Askerov too did it all very good, close to perfect in the evening.
Although I don't want to offend fans, but actually I think Kim's coda is the least technically challenging of all Mariinsky's Solors even when he does a manege of double assembles. As I said his first part of coda has only a series of several single jetes, these jumps are often performed by ladies. If he wanted to reiterate the steps performed by Nikiya right before male coda, he succeeded. But other Solors from Mariinsky - Shklyarov, Askerov and even the youngest Solors, all of them do some spectacular and well balanced Bayadere male codas with a real variety of different technically challenging steps performed from the very first second till the end.
We don't see the same from Kim, whose first part of the coda looks empty and in fact reminds a modest warm-up before the final manege.