corps dancers we love as if they were stars
Posted 20 February 2003 - 06:23 PM
I'll start if off --I can think of 4 or 5 right off the bat in San Francisco -- but i hope others will join in
I'll start with Kim Davy, who isn't here any more.... but in Symphony in C, in the last movement, there's this tiny moment where 2 girls run forward from the back, doing hte first port de bras as they go, and make a huge circle and run back to the back, before the next big section begins --
Kim was the girl stage center left, and she made this one of the HIGHLIGHTS of the entire ballet -- it's just a run, but the phrase is kind of like a drumroll -- it announces that something even MORE wonderful than everything so far is ABOUT TO HAPPEN, and she made it like a cascade of pearls.......
And there was Askia Swift, also gone -- to Ailey? -- wonderfully musical, always, in everything. He wsa especially thrilling in Val Caniparoli's Lambarena, the plastique in the jumps was amazing, and the part of the body that initiated the movement -- it's a character ballet, with lots of Senegalese movement fused with ballet -- was always extremely clear -- his ribs were so expressive.....
And Chidozie Nzerem, who's also African American - -still with SFB, and a wonderfully answerable dancer-- when he was young, he was rather rigidly classical -- he was one of Larissa Sklyanskaya's greatest students, and his clarity and power were so noble and so Russian -- I saw him do the barrel turns from Corsaire at the student show, it was like the young Nureyev -- He's a wonderful character dancer -- as a guest at the Nutcracker party he steals he show, the character has been so thought through -- and of course, as the black face at the party, he does stand out..... But he does nothing to grab focus; he just is responsible for what you see. I LOVE that. As the tuba in Robbins fanfare.... He understands the vaudeville side of the role; he's a scream. And in d'Amboise's role in Western Symphony, again he understands the relation of the creature he’s presenting to antecedents in American popular theater and he uses all the tradition -- he's got some black shtick, he's got some cowboy shtick, he's got his Russian tricks, he's got his sweet danseur noble deference (as he ducks under her leg, well, that's what a cavalier would do, the lady's the man, its SO SWEET).... And with Leslie Young (who's Chinese American), they really look like the old wild west, where such racial mixing on an absolutely equal basis was a real possibility, maybe the first place in the world......
Not to mention Sara Sessions, the TALL GIRL in everything who was never out of the corps and in everything, a wonderful dancer, supple of spine, in modern stuff (Lar Lubovitch' has his corps BE the storm in Othello -- kind of an awful ballet as a whole, but with so MANY redeeming features, and she was fantastic), perfect in Agon, feet like arrows, wonderful elance.... perfect as the Wili center left in the back row, very fine in "Company B" -- and now the poster girl for ballet.co (here's the link to her interview.... http://www.ballet.co...ra_sessions.htm)
And that's just a start.....
Posted 20 February 2003 - 11:50 PM
I was quite fond of Lindy Mandradjieff, and am glad she's getting some good roles at NYCB.
Also Eliane Munier and Alice LuAn Lewitzke, neither of whom is with the company anymore. Also Blanca Como Rosella, Yolonda Jordan, Marisa Lopez, Justin McMillan and Alex Ketley.
Can't forget Amanda Schull, of Center Stage fame, or Dalene Bramer, the cutest White Cat I ever saw.
Posted 21 February 2003 - 03:34 AM
Posted 21 February 2003 - 05:55 AM
Sarah sessions had to do thatone night when Lucia Lacarra was ballerina in Agon - - Lacarra looked great , but her timing was hers alone, and Sarah (among others -- I think Askia was in that cast) had to make everybody else look like they had a clue; there was some pretty big thrashing going on, and since hte energy was so high ,and that's so appropriate for Agon, it wasn't a BAD performance.... but htey sure weren't together....
and yes, Ballet Nut.... Lindy Mandradjieff !!!
reminds me, Elizabeth Miner, who IS still here, is an exquisite dancer.....
And Blanca Como was the best thing at the gala -- the way she danced Norwegian Moods was completely enchanting, so soft, but with an edge to her timing that took my breath away... A marvellous creature...
A big break for her...
Posted 21 February 2003 - 06:30 AM
Posted 21 February 2003 - 06:39 AM
I don't see POB performances that often, so I'm not very familiar with the corps de ballet dancers (all the more as the company is really big and some of them don't dance much). And also it is difficult to know if the "sujets" should be counted in the corps de ballet or as soloists (as they perform both kinds of roles). But well, among the oldest dancers of the company, I have a fondness for the sujet Jean-Marie Didière, in his early 40s now, and who dances many of the "bad guys" in all classical ballets, and also roles like "Don Quixote". He has so much stage presence and is very good at mime... And he was especially bright in Kader Belarbi's "Hurlevent" last season. Among the coryphée, Vincent Cordier is a tall dancer with a beautiful line, and for example he looked great recently in the corps de ballet of "Diamonds" in the Polonaise part. Also there are quite a lot of very good and reliable female sujets (one can really feel the difference when they're there or when there are only less experiences coryphees and quadrilles) like the joyful small Sandrine Marache, Nathalie Aubin and her beautiful feet, the very charming and graceful Miteki Kudo, Laure Muret who was so funny as the "girls with glasses" in Robbins' "The Concert"...
Posted 21 February 2003 - 06:40 AM
Rachel Ruther --- oh, wait, nevermind. Old habits die hard.
Posted 21 February 2003 - 08:16 AM
Posted 21 February 2003 - 10:03 AM
Posted 21 February 2003 - 11:13 AM
Blanca Como left the company a while back -perhaps now a 'civilian.' I recall her being interviewed a while back and not having pleasant things to say about life in the dance world.
At SFB Michelle Wilson and Jennifer Blake were two of my "corps" favorites.
Posted 21 February 2003 - 03:01 PM
How great to see you write about BJ Sills. She is teaching at SUNY Purchase (and has a well-deserved, fabulous reputation). And - we have been lucky enough to see some of her choreography done locally. Talented in many different ways, I wish we knew her when she was dancing
Posted 21 February 2003 - 05:49 PM
Posted 21 February 2003 - 10:20 PM
Aesha Ash and I've started to grow
quite fond of Eva Natanya and Saskia
0 user(s) are reading this topic
members, guests, anonymous users
Help support Ballet Alert! and Ballet Talk for Dancers year round by using this search box for your amazon.com purchases: