Can a "genius" or a "real artist" be a decent pers
#46
Posted 10 August 2005 - 09:53 AM
#47
Posted 10 August 2005 - 04:57 PM
Helene, on Aug 9 2005, 11:48 PM, said:
I've never thought Battle had much artistic range, which is why it has always surprised me that her ego was tolerated as long as it was.
Helene, Battle did start out with quite a sense of exploration. The first Pamina I saw her(in the early 80s) do was breathtakingly beautiful and expressive and I really went thinking she had bitten off way more than she could chew. I thought it was much more beautiful than the Met telecast from about 10 years later
But it all seemed to start to atrophy around the time she turned 40, there was much less imagination and what was a fresh beautiful sound started to tend to sameness and became a bit furry and cloying to boot
So I would say she had her moments but they didn't last too long. Did the emotional things shut down her artistic exploration? Who knows, certainly I won't even try to guess.
Richard
#48
Posted 10 August 2005 - 05:17 PM
kfw, on Aug 5 2005, 02:41 PM, said:
Funny, just by coincidence last weekend I went to dinner in Asbury Park, NJ
( which is making an AMAZING comeback from decay) and I drove by The Stone Pony. Blocks and blocks are being rehabed or built on, but I'm sure this will remain untouched
Richard
#49
Posted 10 August 2005 - 06:03 PM
Quote
Breaking the Not-a-Battle-thread guideline. Helene's comment and richard53dog's post have me reflecting that Battle's awareness of her lack of range and vocal options as she aged -- you can't sing Despina forever -- contributed to her temperament. She may have been feeling the pressure.
#50
Posted 10 August 2005 - 06:08 PM
Jacqueline du Pre and I shared a birthday although (as I would remind her) hers was a few years ahead of mine. When she learned that we had the same birthday, we began a tradition....we exchanged birthday cards every year until the year she died. And, she always kept up with my news --such as when my first daughter was born--and offered encouragement, which must have been painful for her since she was so ill at the time.
Van Cliburn, is a very gentle, kind man. When I worked for the Hurok office, he would be accosted by fans wherever he went, yet he always had a minute to say hello. A few years ago, he was playing a concert in the city where I live. I went to the dress rehearsal with my two daughters who love classical music and were fairly serious musicians and afterwards, I stopped to say hello. His greeting to my kids was one they will never forget. He bent down, almost kneeling, (he is very tall) to hug them and to talk about the good old days when he and their mom worked at Hurok Concerts.
I could go on and on with these anecdotes, but I think that I would wear out my welcome on this thread. So, I do think that many great people have great human capacity and qualities of caring for others. On the other hand, that does not mean that all great people will have the qualities. It depends on the individual.
#51
Posted 10 August 2005 - 06:42 PM
Rest assured, you won't wear out your welcome.
#52
Posted 10 August 2005 - 07:26 PM
#53
Posted 10 August 2005 - 07:38 PM
dirac, on Aug 10 2005, 10:42 PM, said:
Thanks from me, too, Renata. Both stories help humanize our sense of these musicians.
You too, FF!
#54
Posted 11 August 2005 - 05:51 AM
Quote
Rest assured, you won't wear out your welcome.
Not in this decade, anyway!
Certainly not on this board. That sounds like my dream job, Renata. What an incredible first job, especially at such an interesting time in the cultural world. (At the risk of displaying my supreme ignorance, I admit that I think it must have been before I was born).
#55
Posted 11 August 2005 - 10:54 AM
Thanks for sharing your positive memories with us Renata, I wonder can you tell us anything about Nureyev and Fonteyn or were they after your time working for Hurok?
#56
Posted 11 August 2005 - 12:31 PM
I was just joking when I said I was born in the dark ages. Some of you seem to think that I was serious. Margot Fonteyn was a Hurok artist before I ever attended a ballet. Although I met both Margot Fonteyn and Rudolf Nureyev, I do not have any exciting anecdotes to add since I worked mainly with solo musicians.
John Cranko once had me do some work for him...he was very pleasant and nice. He had such an understated manner that people in the office asked me who he was after he left my desk.
#57
Posted 16 August 2005 - 09:36 PM
#58
Posted 17 August 2005 - 04:55 PM
#59
Posted 18 August 2005 - 08:10 AM
dirac, on Aug 17 2005, 07:55 PM, said:
#60
Posted 18 August 2005 - 09:44 AM
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