NYCB's casting crisis
Posted 17 July 2002 - 04:10 AM
I'm very glad that your husband (and you too) enjoyed Tracey's performances; I really can understand why she had many, many fans, just not me. What upset me about her dancing -- and why I so agree with Robert Gottlieb's comment -- was that, although Tracey was a beautiful woman and was a good technician, her dancing -- to my ears -- had absolutely no relationship to the music. So when Gottlieb said "Teach what," I understood him to mean that Tracey has nothing to offer about the art of phrasing. After more than thirty years of going to NYCB, I have absorbed Balanchine's dictum (hear the dance, see the music). With Tracey, I felt deprived indeed.
And, yes, I too have very much enjoyed Yvonne Borree in Duo Concertant. However, as Ms. Borree herself said in a profile appearing in one of NYCB's recent progams, she admits to not being a technician. So Gottlieb's comment (why is she there), just hit home for me. One gets a little upset at "white knuckle" (will she get through it?) performances from a NYCB principal dancer.
But, BW, I'm going to get a copy from the library of the book you liked!!
Posted 17 July 2002 - 05:31 PM
Posted 20 July 2002 - 02:21 PM
0 user(s) are reading this topic
0 members, 0 guests, 0 anonymous users
Help support Ballet Alert! and Ballet Talk for Dancers year round by using this search box for your amazon.com purchases. (If it doesn't appear below, your computer's or browser's adblockers may have blocked display):