Posted 22 August 2002 - 07:41 PM
I'm assuming, OF, that you're referring to SF...but who could ever portray that miracle? I would rather savor the dimming memory of seeing her bring nuance and phrasing to the smallest moments and movements imaginable, than watch Follywood stumble at capturing the uncapturable.
I would preface the following paragraph by reminding the young balletomanes who love this film that I am just expressing my humble opinion and do not wish to diminish their enjoyment of CS. But a Forum is a place for opinions, isn't it?
I share LMCtech's low opinion of CS. While certainly not an awful film, it's soap opera stereotypes were solidly aimed at a target audience and the film sacrificed huge chunks of dance reality to sell tickets. I thought the walk-out/suprise replacement was ridiculous, exceeded only by the motorcycle/mattress de deux. One of the biggest problems was it had the wrong Director: Nicholas Hytner is primarily a West End/Broadway Stage Director; had a quirky (and very "stagey") artistic hit with "Madness of King George", then a sitcom-like "Object of My Desire" (also written by a playwright: Wendy Wasserstein) Then Center Stage.
Huh? What in the name of Billy Wilder made them choose this guy to direct? He's a journeyman film director at best and I thought it showed. (Some earnest acting and good dancing were exceptions)
BTW: Watch "Mr Holland's Opus" with musicians and you'll get the same cringing reaction. Especially embarrassing is the clarinet practice scene where he ties to get her over "the break", and she's not even near it, nevermind over it. Reed players will know what I mean. What a mess...even worse than CS, I think.
Anyway, brace yourselves: a real film director, Robert Altman, starts shooting his film The Company with the Joffrey in October.
Don't let me down, Bobby...