What I find disturbing is that someone who genuinely believes that ballet is over also freelances as the sole ballet critic for the Philadelphia Inquirer, the daily with the largest circulation in the area. I've long had questions about her reviewing style, but how can I now take her seriously as a ballet critic knowing her opinion of the art form?
"For those of us who genuinely believe that ballet is over. . .&q
Started by
Mel Johnson
, Aug 21 2002 02:44 AM
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