"I could just go home now. . ."
Posted 12 May 2001 - 07:11 PM
[ 05-12-2001: Message edited by: ~A.C~ ]
Posted 12 May 2001 - 07:25 PM
When I originally posted about this performance, I was hoping to find out how others felt about both acts, but since not even ONE person responded to that post..........., oh well!
As far as mixed bills go, I agree with Lezhkina - money is tight for me (for ballet tickets), so I doubt that I would ever walk out mid-way through the evening. I really want to see "Theme & Variations this month, but it is on the same bill as "Black Cake" and "Polish Pieces", both of which I have NO burning desire to see (also with a wedding comming up in October that I have to foot the bill for, there will be NO ballet tickets for me again until "Nutcracker" time rolls around again!!)
[ 05-13-2001: Message edited by: Yvonne ]
Posted 13 May 2001 - 11:59 AM
Posted 13 May 2001 - 12:49 PM
When I originally posted about this performance, I was hoping to find out how others felt about both acts, but since not even ONE person responded to that post..........., oh well
Well, here, in a better late than never response: I know just what you mean. The first act is a whole world, complete. I always stay for the second act, and I am always surprised that I am enjoying it so much after the transports of the first. But if there were only the first act, Midsummer would still be my favorite story ballet. (Don't throw vegetables at me, traditionalists!) The second would not be my favorite anything, just a very good dance.
Posted 14 May 2001 - 10:50 AM
Posted 14 May 2001 - 04:01 PM
Posted 14 May 2001 - 07:30 PM
But, the music was miked and was so loud that my husband and I left - as did quite a number of other people in the audience. Sad to say.
[ 05-14-2001: Message edited by: ORZAK ]
Posted 20 May 2001 - 05:38 PM
But I have left after the first ballet even when I thought the rest of the program would be worthy. The instance that comes to mind was "Mozartiana", not with Kyra, but with Suzi; expecting that the "Fancy Free" scheduled to follow it would get a bang-up performance, I made my way to the coat room in the New York State Theatre and found a lot of my friends and some people we didn't know were there, too, none of us being in the mood for being banged up, and all of us feeling we had got more than our money's worth. "Now I could just go home?" Okay, but, maybe, "Now I can die." We felt we were already in heaven, and we wanted to stay there for as long as we could.
But I have felt that the last acts of Balanchine's "A Midsummer Night's Dream" and "Harlequinade" don't go easily with the first acts, which are complete in themselves in that the situations in them are resolved. But I stay: The invention in them, and the execution of it, was better than you got most other places, and they achieved ballet's purpose, too, if less intensely.
What's ballet for? someone asked Mr. B. when the discussion had already established the costs of ballet in terms of physical rigor and financial expenditure. "It makes people happy." Who can argue with that?
We're all different, and what makes us happy will be different; our different experience - not only in the theatre, but reading and listening outside it - eventually tells us when going is likely to be a good time, when not. We might miss something, but I've found selectiveness has a benefit for me: To some extent, the less I see, the more I remember.
0 user(s) are reading this topic
members, guests, anonymous users
Help support Ballet Alert! and Ballet Talk for Dancers year round by using this search box for your amazon.com purchases: