Posted 25 June 2000 - 11:23 AM
The first night I had a bobber and weaver in the seat in front. Eventually I had to ask her to choose one side or the other because with her constant movement following the dancers I was seeing nothing. She smiled sweetly and said yes she thought that might be the case! I just wanted to strangle her, but at least she did sit still for the rest of the programme.
The next night, two rows in front of me, a man enjoyed the music (Swan Lake) so much that he 'conducted' the orchestra but moving his head from side to side constantly. There was nothing I could do to stop him but I was filled with 'ballet rage'
Any other fans had similar or worse occurences?
Posted 25 June 2000 - 11:44 AM
Another irritant is people using flash camera during performances dispite signs posted outside the auditorium and public announcement during intermissions.
[This message has been edited by mussel (edited June 25, 2000).]
Posted 25 June 2000 - 02:18 PM
A man was so much into the music that he was injoying it by steping the beat with his foot.
When the peformance was over and the dancers and choreographers came on the stage to bow, some of the viewers desided to skip the duty of giving the gratitude to the people who for 3 hours gave them theirs talents, strength, and sole. That was unspeakably rude.
Posted 25 June 2000 - 03:37 PM
Posted 25 June 2000 - 04:19 PM
Why do they let these people in? Why do these people want to go to a ballet in the first place? Have they no taste, no manners, no CLASS, dammit?
Sorry, just going to lie down with a wet towel on my head.....
Posted 25 June 2000 - 04:30 PM
Posted 25 June 2000 - 08:30 PM
I wish theaters would get tough -- if a cell phone goes off during a performance and an ussher can see whose it is, toss the bum out during the break. But I suppose it'll never happen.
Posted 26 June 2000 - 03:30 AM
I remember one occasion at the ROH when, despite requests from the House Manager, someone insisted on taking flash photos. Eventually, before the final act, the HM appealed to "anyone sitting next to this idiot" to take the camera from them, put it on the floor, and "KEEP YOUR FOOT ON IT FOR THE REST OF THE PERFORMANCE". This wasn't long after Wendy Ellis (I think) had broken both wrists when she fell during The Two Pigeons when someone "flashed" her.
Posted 26 June 2000 - 06:03 AM
Posted 26 June 2000 - 06:14 AM
who spent all the evening asking loud questions, making noise and complaining ("Mum, I'm tired. Is it finished soon?") I don't blame much the children,
but the parents really should have thought twice before bringing 7-year old children to ballets such as "Lilac Garden" or Taylor's "Speaking in tongues"!
Well, not all children behave badly at the ballet; one of my little cousins attended "Giselle" with me when she was 8, and she was very calm (but she was taking dance classes, and so quite motivated to attend it,
also I had told her about the plot before...)
I also have a bad memory of a "Romeo and Juliet" in Marseille last season, because
of the extremely noisy two gentlemen who were sitted behind a friend and I. They spent the whole first part doing silly comments about the dancers and the costumes,
laughing rather stupidly, and having some of the most noisy kisses I've ever heard. Fortunately, they left at the intermission.
Posted 26 June 2000 - 06:24 AM
[This message has been edited by sarez (edited June 26, 2000).]
Posted 26 June 2000 - 08:56 AM
I am generally able to tune out some of the boorish behavior that has become endemic in audiences, although my wife tends to suffer fools much less gladly. She has a glare that lowers the temperature of the immediate area by about ten degrees which is generally enough to silence all but the most dense malefactors.
Once during a performance of “Romeo and Juliet” by the Ballet de Monte Carlo at the Detroit Opera House, there were two young women seated next to us who just refused to be quiet. We were in the front row the Trustee’s Circle, the equivalent of the front row of the Grand Tier at the Met but much closer—the best seats for ballet, other than the front row of the orchestra. Seated next to us were two young women who would not keep quiet during the performance. I couldn’t really hear them, but by wife, who was seated next to them, got the full benefit of their yakking away: comments on the costumes, comments on which of their friends individual dancers looked like, that type of thing. Finally after about fifteen minutes of this, my wife turned to them and said “Ladies, you really MUST be quiet during the performance.” They were shocked and a bit hurt but kept silent, which was the point.
In 1985 we were in Windsor, Ontario for the National Ballet of Canada doing “Don Q” with Karen Kain. Shortly before the conductor gave the downbeat a woman took the seat next to us. She had more dangly bracelets and other potential noisemaking jewelry than I had ever seen on one person. I feared the worst—an orchestra accompanied by a constant jingling. As it turned out she as a perfect seatmate for this performance, because the people seated directly behind us apparently were HUGE Karen Kain fans. They started talking about her as soon as she entered: “Oh she has lost weight.” “That color is not right for her.” The woman with the bracelets turned completely in her seat (with nary a jingle) and gave them the most terrifying “SHUSH” I have ever heard. Not a word from them for the rest of the night.
"The great pleasure in hearing vocal music arises from the
association of ideas raised at the same time by the expressions
Joseph Addison, "The Spectator", 21 March 1711.
Posted 26 June 2000 - 09:28 AM
Posted 26 June 2000 - 10:43 AM
It taught me a lot to be next to a child with whom I had an acquaintance. The ones who are most excited by it are often the ones you need to gently remind by your example to stay quiet. (Just smiling silently and not immediately answering her first whispered question worked. She got that we would talk later.) My new young friend was thrilled at her first ballet, and I made a point of being sure to discuss and answer her questions immediately during the intermission so she knew that was the right time to ask them.
Even a well-behaved child can be slightly fidgety, especially as the hour grows later. The young lady remained quiet, but shifted in her chair from sleepiness (and allergies). After a bit I realized that I was overconscious of what she was doing quietly and just paid attention to the ballet instead.
Inattentive parents and improperly behaved children are an annoyance and a distraction. Attending dance performances The New Victory Theater is certainly not a rarified event, but the theater is specifically meant for children and I try to remind myself of that. It's important for children to comprehend the difference in behavior between a live performance and the TV in the family's living room. At a young age, they don't yet see why they can't talk or move about, and need to be told that there are other people also trying to watch and it disturbs them. But I hope responsible parents will continue to think of the ballet as a place to bring children who are ready to socialize and educate them as well as inspire them, and that this should be a goal. If they don't, TV will win. And I'll try and be tolerant of them being there!
Leigh Witchel -firstname.lastname@example.org
[url="http://"http://members.aol.com/lwitchel"]Personal Page and Dance Writing[/url]
[url="http://"http://members.aol.com/dnceasever"]Dance as Ever[/url]
Posted 26 June 2000 - 12:30 PM
0 user(s) are reading this topic
0 members, 0 guests, 0 anonymous users
Help support Ballet Alert! and Ballet Talk for Dancers year round by using this search box for your amazon.com purchases. (If it doesn't appear below, your computer's or browser's adblockers may have blocked display):