Onegin (as a ballet) summer 2002
Posted 23 July 2002 - 07:49 AM
Posted 24 July 2002 - 06:13 AM
Posted 24 July 2002 - 09:58 AM
Too much Mills & Boon, not enough Pushkin
Cranko manages the setting for the tragedy in conventional style, with romping young and doddering oldies at Mme Larina's party (provincial, of course, but over-played on this occasion - the elderly are not necessarily refugees from a BBC "comedy" programme). The score sounded punch-drunk, hammered by the hands of Charles Barker and the Royal Ballet Sinfonia. The central quartet looked ill-assorted and, for its three Royal Ballet regulars, jetlagged.
Adam Cooper, a guest artist, plays Onegin on an ascending curve of emotional power. I think his first scene insufficiently distinguished, lacking good manners, with dancing as stiff as his character, and cursed with the most dispiriting jacket. (Onegin looks like an undertaker's mute). Cooper comes into his own, reveals what a stunning dance-actor he is, in the final duet, raging like a stormy sea over Tatyana, communicating every shift of feeling from passion and hope to despair and utter desolation. Nothing else in the evening was so true to Cranko's ballet as we first saw it, and as it should still be seen.
Posted 13 August 2002 - 10:11 AM
I just wanted to say that I saw Onegin in Stuttgart this seison and I loved Katja WŁnsche as Olga so much!!! Tatjana was Sue-Jin Kang und Onegin was Roland Vogel and Lenski was Misha Kaniskin.
Sue-Jin was really amazing, she was such a woman! She went so deep, I don't know how to explain it.
It was Katja's premiere but she did the best Olga I have ever seen! Her parntner Misha was for me not so good, than I like Friedemann Vogel much better and of course Robert Tewsley.
Roland Vogel was a great partner and he went very deep to. They all really touched me!! That was so nice to feel.
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