Posted 01 June 2002 - 07:20 PM
Rachel Rutherford (I can hear many of you going: "Finally!")
Posted 01 June 2002 - 11:20 PM
And, of course, I'm very pleased about Rutherford. She's lovely.
Posted 02 June 2002 - 03:40 AM
Millepied's promotion was blindingly obvious, given how much he's been dancing lately, and how well, and also that the company just doesn't seem to have anyone else under 30 who looks like he might be able to take over the Villella/D'Amboise/Woetzal repertory. Although Marcovicci strikes me as a very uneven dancer, it seems his promotion was also inevitable, as he's quite the "Martins" dancer.
The big shock for me was Fayette's promotion. Although I've certainly enjoyed and admired his dancing over the years, he always struck me as someone who had "eternal soloist" written all over him. How many real principal roles does he actually dance? Perhaps Martins decided that the company really needed someone to take over the Robert Maiorano repertory.
I was a little surprised that neither Ansanelli or Taylor were promoted, or Bouder, for that matter.
Posted 02 June 2002 - 04:28 AM
So why were Taylor and Ansanelli passed over, particularly given the widespread perception that Taylor is his favorite?
Posted 02 June 2002 - 04:30 AM
I guessed Marcovicci would be a principal eventually, but, as Manhattnik pointed out, he is a bit more uneven than Millepied. I always thought Marcovicci's partnering skills would need to improve a bit before taking over the cavalier roles his looks and talent should bring him.
But Peter Martins has been slow to cast the younger men in the top roles. I was sure last year that Millepied or Marcovicci would be cast in Prodigal Son, but it didn't happen. During the Winter season, Woetzel did all the Theme and Variations. I would have thought someone such as Phillip Neal or Millepied would get a chance. Maybe this season.
Who do you think will be promoted to soloist take to fill the three men's spots? Carmena, Jason Fowler, and Craig Hall possibly?
Posted 02 June 2002 - 05:12 AM
The thing about Marcovicci and cavalier roles is that I don't think he's done many (any?). I just can't see him even pretending to be a danseur noble, and I think he'll need to be cast primarily in the Martins repertory, or the kinkier Balanchine stuff (he was really fine as Melancholic recently). But he's neither a bravura type or a danseur noble.
As for Fayette, well, he's aquitted himself well in, well, soloist roles. But to be a principal you should at least have some undisputedly principal roles under your belt. How many has he done? I've enjoyed Fayette mightily in the first movement of Western; I'm not so sure I'd be so happy to see him in the fourth movement.
Posted 02 June 2002 - 05:43 AM
But we've seen the women cast early in important roles and against type and the men don't get that chance. Boal danced Mozartiana with Farrell's group, but has not done it in New York and Neal did Apollo with the SF group, as well, but not in New York. And considering who we've seen cast as Apollo...
Posted 02 June 2002 - 05:49 AM
It would make an interesting debate which of the new men would make the best Apollo, wouldn't it?
Posted 02 June 2002 - 06:08 AM
Hooray for Rachel--arguably the most overdue promotion ever. I adore Eva Natanya. Can she be next? Please?
As for the men, I agree that Ben was a shoe-in. Sebastian has been given many opportunities--I saw that one coming as well. As for James, I love him and Jenifer (those who know me, know that she is my absolute favorite) and I see tremendous growth from him, especially as a partner. Watching the two of them dance together takes me to another place. But he has become a superb partner to other ballerinas as well. It was fascinating to me to see him take over Jared's part in Morgen. After the dance with Jenifer, I wanted to cry out: "no this is all wrong! they belong together!".
NYCB now has 12 male principals listed, 9 women. A little cock-eyed, no?
Posted 02 June 2002 - 06:35 AM
Taylor and Ansanelli. I think Ansanelli would be first, but she is coming off the injury and needs to still get back into a full rotation. It's still too early for Taylor though (and van Kipnis)
As excited as I am about Rutherford's promotion, I hope she doesn't flounder in the soloist hell that seems to absorb many of the women. It's just about time for her! Promotion came two years later than it should've!
And Tom Gold, I would've thought him before Millipied, but I guess maybe b/c he has the design internship going for him.
I hope now with corps, Amanda Edge and Aesha Ash get some overdue time.
Posted 02 June 2002 - 07:04 AM
An anecdote: Sébastien Marcovici had danced in the 1993 program of the POB school... the same year as Laetitia Pujol, who has just been promoted to principal in Paris.
Posted 02 June 2002 - 07:38 AM
Rutherford is of course overdue.
I actually wasn't too surprised about Fayette's promotion ... I always thought of him as the dark horse. I noticed that he seemed to be filling the role of the strong but silent partner, so while he doesn't have alot of the star male roles I think he's built up quite a few roles in the partnering category, off the top of my head, In the Night, Serenade, Ancient airs and dances, Morgen, Episodes and Kammermusik#2. I can see him becoming a Jock Soto type dancer and I'm glad that his work has gotten recognition.
I was surprised about Ansanelli. I think its still a bit early for Taylor (even if she is the favorite), but Ansanelli has been dancing all principal roles, and more than many principals. Oh well, maybe Peter is waiting for a big debut, he seems to like to do that.
Posted 02 June 2002 - 08:08 AM
Posted 02 June 2002 - 08:18 AM
I think the Rutherford promotion is a good one managerially and institutionally as much as for any other reason; it can only help the entire company, as well as her. It sends the right message to the corps de ballet about hard work being rewarded - it's good she wasn't passed over for someone younger, as Manhattnik said, she's been soloist de facto for a while. I also agree that one could see the Millepied promotion from far off - he's seemed on the verge of promotion for two years.
For whatever reason, it's seemed that Millepied's and Marcovici's fortunes have been yoked to the same oxen since they entered the company, which I believe they did at the same time; wasn't their promotion to soloist at the same time as well? It could be because they have entirely complementary repertory, one does what the other doesn't. I'm not sure this has anything to do with this promotion, but it makes it less surprising to me. As with others, Fayette's promotion was the surprise to me; I didn't see it coming in the casting.
I'm not that concerned for female promotions; I'm guessing they'll happen soon enough. I think Ansanelli's is inevitable, and Taylor's obviously being pushed. I wish I saw van Kipnis being groomed for a promotion - but then again, I didn't see Fayette's coming.
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