Bolshoi and Ashton
Posted 23 July 2001 - 07:05 AM
Posted 23 July 2001 - 07:28 AM
"Nor is the Bolshoi about to bring in less swan-like dancers, like the "short and fat" New York ballerinas derided by a former director."
What "short and fat" New York ballerinas are they talking about? I can't think of any. There have been a few full-figured ladies, but they've been tall, not short. Strange. And which former director could this be? Haven't New York ballerinas earned the bad rap of being too thin?
Posted 23 July 2001 - 08:13 AM
It's not a Ballet Alert topic but I'm intrigued by the remarks in trhe Scotland on Sunday piece about the poor state of the Bolsho opera. When it came to London two summers ago it received deservedly wonderful reviews. We've just had two weeks of Verdi from the Kirov. I didn't see any of it - the prices were horrific - but I doubt that Gergiev has ever received such a critical pasting in his life. I think it will be a while before the Kirov Opera comes to London again with a Verdi repertoire.
[ 07-23-2001: Message edited by: Alymer ]
Posted 23 July 2001 - 08:56 AM
In the old DanceView, when it was Washington DanceView in tabloid format, I once did a column on funny ballets -- most of them have since happened -- and one was to propose a "Sacre de Printemps" festival, matching the least likely Sacre choreographers (Tudor, Ashton) with the company most likely to do justice to such a work. I forget whether I gave Tudor or Ashton to the Bolshoi, but I think it was Ashton
Your sidelight about Gergiev and the Kirov and Bolshoi operas is relevant to ballet in these troubled times, I think, Alymer, as criticism of the opera -- if it's justified and if it will ring true at home -- may have an effect on who will manage ballet companies.
Posted 23 July 2001 - 12:46 PM
But while watching the Bolshoi's recent London season and before I had heard about the proposal to dance Ashton's Fille, my husband and I were commenting on how well they could have cast The Dream, given just the dancers they brought with them to Drury Lane. Not something I would ever have thought of in the past.
Posted 23 July 2001 - 01:52 PM
It's when there is no home base that the sirens go off. I think that can be the danger in eclecticism, a company needs to have a style and vision. If they have one, a temporary departure from it is of interest rather than of concern. It might be ridiculous for NYCB to do Spartacus (casting, anybody? Yoohoo, Manhattnik. . .) but it wouldn't damage them permanently - until they thought (as a company) that they ought to be a company that did Spartacus.
Posted 23 July 2001 - 02:25 PM
I picked Spartacus and NYCB not to insult either (please) but that the aesthetics are so diametrically opposed that it doesn't make sense for them to mate, I think.
I think the New Bolshoi would make a better stab at Ashton than the old, and one might make the point that since there's no convincing Ashton style left anywhere, except in a few chance performances, it doesn't matter. But somewhere, there's a line. It used to be clear in ballet, as clear as the thought of an the Ailey company doing "Beach Birds" or Cunningham dancing "Esplanade." Now, the Bolshoi just might be able to get away with "Revelations...." The Old Bolshoi, anyway.
Posted 23 July 2001 - 02:36 PM
Good point about the opera's Alymer - after all, the "sick" Bolshoi brought Russian repertoire and was praised for it, the "healthy" Kirov brought "a tribute to Verdi" and was severely criticized.
Posted 23 July 2001 - 02:40 PM
Posted 23 July 2001 - 02:58 PM
Brendan, do you have any more cheery news?
Posted 24 July 2001 - 05:17 AM
The Royal Ballet got to dance in Moscow in 1961 and the then Bolshoi director, Leonid Lavrovsky, was reportedly very taken with Ashton’s “Two Pigeons” and is rumoured to have wanted to acquire it for the company. Sadly political considerations made that impossible but I actually think the Russians would have made of very good job of that particular ballet because when it comes to dancing gipsies the Bolshoi reigns supreme – and there are an awful lot of gipsies in Two Pigeons.
The current ballet director, Boris Akimov now works regularly with the Royal Ballet as a teacher and is said to be a great admirer of Ashton’s work. I think the company will make a success of Fille. When Nina Ananiashvili danced the role at Covent Garden, the older critics noted that no one had jumped like that since the original Lise, Nadia Nerina, (who actually guested with the Bolshoi at one time). I would love to see Anastasia Goriacheva and Dmitri Goudanov in the leading roles and look forward to seeing the Bolshoi’s Fille in London.
The only Grigorovitch ballet performed by a non Russian company was Ivan the Terrible which I believe was danced at one time by the Paris Opera Ballet, though I never saw them dance it.
The comments about the Bolshoi and Kirov Opera companies are spot on. For some time now the Bolshoi has been used as a kind of political football by a number of interested parties in Russia, I would like to think that the appointment of a new director will put a stop to the intrigues, but perhaps I'm being optimistic.
Posted 24 July 2001 - 08:40 AM
I'm not sure I agree with you about Pigeons. It's a very delicate piece and I I always think at its best when danced by a young company. When I've seen the gypsies danced realistically it seems to unbalance the ballet. I have the idea that they are not real gypsies but spiteful children and in fact all the characters are children, until the last pas de deux when the lovers finally reach maturity.
I saw Ananiashvilli dance Lise and she was pretty good - but there have been an awful lot of good Lises. As to her jumping higher than anyone since Nerina - categorically no.I can think of at least one who jumped even higher than Nerina herself.
Posted 01 August 2001 - 09:54 AM
And what will the Russians make of the the happy peasants, clog dancing and the romanticized view of the English countryside.
Not even Sylvie Gulliem who has been dancing in England for years can truly relate to it -"too long, too difficult, too stupid"
Posted 01 August 2001 - 10:22 AM
The thought of Sylvie in Fille is worrying!
I think the Russians would love it - how could they fail to? How they would respond to the subtleties is another matter, but this is a problem when any company dances another country's choreography.
[ 08-01-2001: Message edited by: Helena ]
0 user(s) are reading this topic
members, guests, anonymous users
Help support Ballet Alert! and Ballet Talk for Dancers year round by using this search box for your amazon.com purchases: