Ashton Fan

Royal Ballet 2016-17 Season

27 posts in this topic

Posted (edited)

While it will be interesting to see who management chooses to replace Polunin Marguerite and Amand is only of real interest in those performances which, for London audiences, mark Yanowsky's retirement as a member of the company. The choreographic substance of this mixed programme lies in the first two ballets on the bill, The Dream and Symphonic Variations. Marguerite and Armand is merely a vehicle. although it is currently said to be the most frequently performed of Ashton's ballets. The management has a number of options as far as casting a replacement Armand is concerned. They could ask if the Mariinsky could possibly spare Xander Parrish but if they were being really brave they would take a chance on someone young and exciting from within the ranks of the company such as Matthew Ball who has come on in leaps and bounds during this season. Clarke is unlikely as he is already cast in the Some's role in Symphonic Variations.


Both Clarke and Ball are cast with more senior dancers next season. Clarke is to dance Aminta to Cuthbertson's Sylvia  and is due to partner her SPF in Nutcracker while Ball is due to partner Choe at he beginning of the run of Nutcracker and Naghdi towards the end of the run. In addition there is considerable speculation about whether either Naghdi or Hayward will be making their debuts in Giselle in the new year.


I will finish by writing briefly about the run of Sleeping Beauties which ended in mid March with a performance by the husband and wife team of Bonelli and Kobayashi. Bonelli's prince was, as usual, wonderfully elegant and Kobayashi's account of Aurora has visibly matured and improved. As I had expected it provided an opportunity to see a few more debuts including, the somewhat unlikely casting in the act 3 pas de trois Florestan and his Sisters of Reece Clarke who is 6 ft 3 ins as Florestan. It is one of those apparently innocuously simple pieces of Ashton choreography which undo those who do not have a secure technique. It is generally something of a challenge for tall dancers but while it is generally better suited to dancers who are more compact it is a role in which many dancers struggle. As originally cast he was to dance with two tall dancers but due to illness or injury he ended up with a tall sister in Stix-Brunell and shorter one in O'Sullivan.It could have been less than special but it turned out to be very good and rather stylish.



Edited by Ashton Fan

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