POB in California
Posted 05 May 2001 - 07:42 PM
Posted 09 May 2001 - 12:43 PM
Fanny Guida (instead of the promised Guerin)
Jeremie Belingard as The Golden Idol
Choreography by Nureyev after Petipa
Decor by Ezio Frigerio
Costumes by Franca Squarciapino
Lighting by Vinicio Cheli
First I had to get over the disappointment of learning that Guerin would not be dancing as scheduled...not at all; since she's retiring this is probably my last chance to see her again. The production is wonderous. The sets are beautiful (I kept thinking of traveling expenses) and yet simply done. The costumes were a constant vision for the eyes. My only complaint about them would be that some of them competed with the dancing; swirling skirts that seemed to impede motion. These skirts, just below the knee, were of a challis-looking fabric with tulle underneath; that's a lot of material. Most interesting were tutus covered with a beautiful print calico-looking fabric; I loved them.
I have waited years to see POB and I wanted nothing more than to watch the etoiles. LaB has a huge cast and many ensemble dances (a couple of them ridiculous). Of course they were well done but I just wanted stars! Of the 3 last night Aurelie Dupont impressed me most. Her ACT II pdd with Manual Legris and then solos were full of pirouettes, doubles, doubles that became triples, etc., and she was dead on. Magnificent. Even her fouettes, if you're into fouettes, were among the best I've seen; not all that numerous but slow, deliberate, with the working leg at about 93 degrees (yup) and gorgeous. The Shades scene was well done; few wobbles, mostly in sync. As impressive as they were coming down the ramp they were equally, if not more, impressive when lined up afterwards. The ballet ended with Nikiya and Solor's pdd; no temple crumbling but rather Nikiya forgiving Solor (didn't see it but the program says she did).
I would recommend it to all. I'd like to compare it to Makarova's production but, well....you know my memory.
I'm planning on going again tonight; I'm on baby-watch (grandchild due any moment) so my life is on hold.
[ 05-09-2001: Message edited by: Giannina Mooney ]
Posted 09 May 2001 - 03:12 PM
Posted 10 May 2001 - 05:29 AM
Next season, she'll dance at the Paris Opera as a guest dancer in "Notre-Dame de Paris".
What did you think of Legris? He's one of my very favorite dancers. I don't know for how long he'll continue dancing "La Bayadere", as he's 37 (and has announced that he'd stop dancing Romeo after this season).
Posted 10 May 2001 - 05:49 AM
Posted 10 May 2001 - 07:04 AM
For Le Riche, I really have no idea... I don't know if it was his choice or if it was the direction which preferred to cast other dancers.
Actually, the three Solors who danced in California (Legris, Martinez, Bart) are the three male dancers who have been the most active this season at the Paris Opera. Hilaire was absent because of his injury, Belarbi (who is 39 too) now dances mostly contemporary works, and Le Riche guested a lot abroad and was quite absent on the POB stage. Jean-Guillaume Bart, who is the most recently promoted principal (and the youngest principal with Le Riche), danced in *every* program since the beginning of the season except the modern creation "Nosferatu" (i.e., in "Raymonda",
"Apollo" in a mixed bill, a Forsythe mxed bill, two roles in "Jewels", "The Nutcracker", "Paquita", two ballets in the Robbins mixed bill, Manon, the Kylian program, and he'll dance in Neumeier's "Midsummer night's dream"); Legris and Martinez danced a lot too. In her interviews, Brigitte Lefevre insists that she doesn't want the company to have too many principals, but considering that three female principals retire that season (and isn't it a bit odd to cast Juliets who all are above 38?) and that three male principals have to dance most of the big roles, one might wonder if it is not the opposite, i.e. not enough principals.
Posted 10 May 2001 - 08:26 AM
Posted 10 May 2001 - 09:07 AM
Estelle, Legris is 36 years, he must have 37 but at the end of the year.
Guérin has broken ribs and I don't think she could dance for her Farewells perhaps for Notre-dame de Paris
Posted 10 May 2001 - 10:22 AM
Jean-Guillaume Bart (instead of Martinez)
Benjamin Pech as the Golden Idol
Estelle, I like Legris even more than I did Tues. night after seeing Bart in the same role. Bart is a fine dancer but there was no emotion, no chemistry with Letestu. At least Legris connected, and I now realize that his dancing had fire and depth. I'd remember a wonderful dancing passage of Legris' from the night before and await it in Bart; it never came. Same steps, entirely different offering. The same with Pech as the Idol; last night he was the Idol but Tues. night Jeremie Belingard was the THE IDOL!
Letestu was a wonderful Nikiya, more supple and in control than I found Gaida Tues. night. In the faster (Allegro?) portion of her dance with the flower/serpent basket Gaida's interpretation bordered on the hoochy-koochy while Letestu made it more ethnic. She changed in Act III; her dancing seemed brittle and she looked like a ghost, which, of course, she is but I've never seen the ballerina try to give that impression. Gillot was very nice but didn't match Dupont's control on Tues. On Tues. I sat at orchestra level; last night I was in the 3rd Tier which is so high you have to see it to believe it. The Shades scene was much better from up there, especially once they're off the ramp. The patterns and the symmetry are beautiful.
I expected lots of high extensions but there were few. One was jarring. (Excuse ballet terms.) Letestu had a supported develope in 2nd position facing the audience, then turned to face her partner and moved the extended leg into an arabesque. The develope was "way up there". Bringing the leg down for the 90 degree arabesque was awkward and spoiled the line of the move.
Again...the costumes. They are a work of art. Still think they impede the dancing but they are a feast for the eyes.
I'll see my final performance Sat., unless the little tyke puts in an appearance first.
[ 05-10-2001: Message edited by: Giannina Mooney ]
Posted 10 May 2001 - 11:23 AM
Posted 10 May 2001 - 12:22 PM
Against we never saw Bart in Paris as well as Aurelie Dupont in Nykia role.
Fanny Gaïda is an Artistic dancer it's not a technical dancer and I prefer Gaïda interpretation to Letestu cold appearance. Against Agnès Letestu is a great technical dancer, but I didn't like her when she danced the role in Paris. She was not a Nykia for me, it's a Gamzatti, even I prefer Aurelie Dupont in this role.
Giannina, could you say us which are the other role as Manou, Fakir, Indian dance, Shade. Thanks for your comments.
[ 05-10-2001: Message edited by: Françoise ]
Posted 10 May 2001 - 01:58 PM
Manu: Melanie Hurel
Fakir: Leonel Delanoe
Indian Dance: Fanny Fiat, Karl Paquette
Shade (I assume you mean the Variations): First: Eleanora Abbagnato. Second: Laetitia Pujol. Third: Delphine Moussin
Manu: Sandrine Marache
Fakir: Fabien Rogues
Indian Dance: Geraldine Wairt, Yann Saiz
Shade Variations: same as Tuesday
[ 05-10-2001: Message edited by: Giannina Mooney ]
Posted 11 May 2001 - 06:06 AM
Posted 12 May 2001 - 03:43 PM
0 user(s) are reading this topic
0 members, 0 guests, 0 anonymous users
Help support Ballet Alert! and Ballet Talk for Dancers year round by using this search box for your amazon.com purchases: