ABT in Orange County
Posted 17 September 2001 - 06:10 PM
What's that? Oh, the OTHER Orange County! Never mind.
Posted 17 September 2001 - 09:08 PM
I had feared that the terrible events of the past week would put a damper on the performances, but the opposite happened; after four days of immersion in the horror of the attacks in NYC and Arlington, the audience was immensely relieved to have the chance to turn away for a moment and revel in the beauty of ballet. The three performances were for enthusiastic and joyous crowds.
Due to the company's late arrival and the lack of a conductor, Friday night's performance was to recorded music. The program was Clark Tippet's "Bruch Violin Concerto," Paul Taylor's "Black Tuesday," and Natalie Weir's "Jabula." "Bruch" is a pleasant enough piece and was nicely danced, especially considering what the dancers went through to get here. "Black Tuesday" was appropriate, since it depicted New Yorkers making the most of a bad situation. While it has darker overtones, these were lost in the mood of the crowd (and perhaps the dancers) and it came off as a fun piece. "Jabula" received an energetic performance, and although it's just a piece of faux-tribal claptrap IMO, the crowd seemed to enjoy its propulsive momentum.
The glories of the visit were the two performances of "Giselle." Much appreciation is owed to PNB's Stewart Kershaw for driving down from Seattle to conduct.
Both performances were absolutely gorgeous, with the corps performing remarkably together and with a convincing romantic softness.
Saturday night's cast was led by Julie Kent and Ethan Stiefel, with Ethan Brown as Hilarion, Gillian Murphy as Myrta and Xiomara Reyes and Herman Cornejo in the Peasant Pas de Deux.
Sunday afternoon's performance starred Irina Dvorovenko and Maxim Belotserkovsky, with Ethan Brown again, Carmen Corella as Myrta and Anna Liceica and Marcelo Gomes in the Peasant Pas de Deux.
I'm far too lazy to go into a comparison of the two casts and really didn't make note of the details while watching, preferring to just watch and let the performances carry me along. Both casts, in their different ways, completely transported me into "Giselle's" world, and made their characters live for me and move me.
By Sunday evening, the dark mood of mingled sadness, horror, anger and hate that had taken hold of me on Tuesday morning had finally been washed away. Humanity is capable of ugliness and beauty, but in time the ugly deeds become something to read about in history books and shake our heads over; remote events. The beauty remains a living part of us and those who survive us.
[ 09-18-2001: Message edited by: Steve Keeley ]
Posted 17 September 2001 - 09:16 PM
(Sorry for misplacing the performances. I didn't correct the subject line, so that Steve's first paragraph would be clear.)
[ 09-17-2001: Message edited by: alexandra ]
Posted 27 September 2001 - 09:38 PM
Posted 28 September 2001 - 07:05 PM
I actually really enjoyed "Jabula." There was definite Alvin Ailey influence but I like that. The main girl (I don't have the program with me) had fantastic stage presence and was a gorgeous dancer. The group choreography wasn't terribly complicated, not that it needed to be, however, the choreography between couples was quite interesting.
I also enjoy Giselle. I do have a problem with sky-high extensions in a Romantic ballet but that is my only complaint. Irina really made a transformation between the girl in red for the Bruch piece on Friday and Acts I and II of Giselle. I wasn't impressed with Carmen Corella as Myrta now that I think about it.
I am so glad that ABT didn't cancel these performances. They so easily could have. I felt the audience was trying to forget Tuesday as hard as the dancers were using that energy in their dancing. Thanks again, ABT, for performing for us!
0 user(s) are reading this topic
members, guests, anonymous users
Help support Ballet Alert! and Ballet Talk for Dancers year round by using this search box for your amazon.com purchases: