How About Judging in BALLET Competitions? Corruption & Influence?
Posted 22 February 2002 - 05:32 PM
This one is harder to pinpoint, as the judges marks are NOT flashed before the audience at such competitions. But they are made on keypads & tabulated by computer. [I actually got some insight on how this is done at Varna 2000 & even was privy to some information on 'trends' among some judges...but I was sworn to secrecy by the gentleman who handles the auditing of scores, so I'll keep mumm. Nothing scandalous - just interesting. smile.gif ]
A probably-corrupt competition that comes to mind, right now, was the 1986 Jackson IBC, in which Jury Chairman Yuri Grigorovich -- then head of the Bolshoi Ballet -- allegedly manipulated some of the other jurors to award the Grand prix to, what some feel, was a less-than-deserving Nina Ananiashvili.
Any competition-judging horror stories out there?
ALSO - Should the Jackson & Varna IBCs (& similar ballet competitions) change the rules to require TRANSPARENCY & POSTING of the marks awarded to each competitor?
[ February 22, 2002: Message edited by: Jeannie ]
Posted 22 February 2002 - 06:11 PM
[ February 22, 2002: Message edited by: Mme. Hermine ]
Posted 22 February 2002 - 06:52 PM
Posted 22 February 2002 - 08:10 PM
Posted 22 February 2002 - 10:56 PM
Posted 24 February 2002 - 08:45 PM
[ February 24, 2002: Message edited by: Juliet ]
Posted 24 February 2002 - 11:10 PM
Oh do share Juliet, you've whetted my appetite for insider information with that little tidbit smile.gif
Posted 24 February 2002 - 11:19 PM
And this doesn't even take into account judgments which may not be considered "corrupt" but more on the order of "well-intentioned fudging," such as: "Give it to her; she's 18. It's her last chance." Or, "But we've never given a gold to someone from THAT school and it's about to fold. She's pretty good; let's give her a boost." Or "He's the only one that represents Vaganova, or Cecchetti, or My Own Method."
I don't know a way around it. The fact that a competition medal is becoming legal tender now for company-hopping or getting a job in a major company insures that it will continue.
Posted 25 February 2002 - 01:15 PM
There was no pressure at all, and the two teachers of the two most likely winners watched the competition, but were not judges. The two most likely winners both had serious shortcomings, and it was decided, quite amicably, to give no gold, but two silvers.
What I remember most about that experience was one very young dancer -- 12 -- who HAD IT. She had all the potential to be not only a dancer, but a ballerina. Beautiful body, serene presence, very strong technique for her age. One of the good aspects of competition -- everyone noticed her. I actually made contact with her family, who seemed to have not the slightest clue of her talent; they thought she was doing this for fun. They would not send her away to a better school; they didn't want her to be away from home. They said they'd send her to SAB after she finished college. Sigh.
I asked about her several times in the next few years. She stayed with her very small, shopping center school and won competition after competition, but never chose dance as a career.
Posted 17 March 2002 - 07:31 PM
I read one of the judge evaluation whom will remain nameless, and on one of the student that was dancing "Sylvia" by G Balanchine and coached by a Principal from NYCB, that judge wrote "wrong Choreography" Scary epecially when the variation was taught by a Ballerina that performed it with NYCB confused.gif
0 user(s) are reading this topic
0 members, 0 guests, 0 anonymous users
Help support Ballet Alert! and Ballet Talk for Dancers year round by using this search box for your amazon.com purchases. (If it doesn't appear below, your computer's or browser's adblockers may have blocked display):