Jump to content


This site uses cookies. By using this site, you agree to accept cookies, unless you've opted out. (US government web page with instructions to opt out: http://www.usa.gov/optout-instructions.shtml)

Sunday, February 16


  • Please log in to reply
1 reply to this topic

#1 Mme. Hermine

Mme. Hermine

    Emeralds Circle

  • Senior Member
  • PipPipPipPipPipPipPip
  • 3,935 posts

Posted 17 February 2014 - 05:49 AM

Hamburg Ballet received help from the Paris Opera Ballet when their costumes for an engagement in Chicago were delayed in transit:

 

http://www.broadwayw...16#.UwISvXQo7IU

 

A freight ship carrying Hamburg's original costumes was delayed because of a massive storm that derailed the Chicago shipment date, postponing delivery indefinitely and threatening next week's much-anticipated presentation of the Hamburg Ballet's iconic Third Symphony of Gustav Mahler-the only two performances of John Neumeier's Third Symphony during Hamburg's 2014 North American tour, specially chosen following the company's Harris Theater debut last season.

 

 



#2 dirac

dirac

    Diamonds Circle

  • Board Moderator
  • PipPipPipPipPipPipPipPip
  • 27,854 posts

Posted 17 February 2014 - 05:26 PM

A review of New York City Ballet by Michael Popkin for danceviewtimes.

 

Kowroski and Angle’s “Diamonds” succeeded for some of the same reasons.  But the context was different:  instead of Veyette and Hyltin’s mutual independence and display of jazzy 1960’s cool, Kowroski and Angle turned the ballet’s opening adagio into a drama of feminine vulnerability and ardent male strength, playing out beneath the grandeur of a formal court ritual and in opposition to its constraint.

 

 




0 user(s) are reading this topic

0 members, 0 guests, 0 anonymous users


Help support Ballet Alert! and Ballet Talk for Dancers year round by using this search box for your amazon.com purchases. (If it doesn't appear below, your computer's or browser's adblockers may have blocked display):