Jump to content

This site uses cookies. By using this site, you agree to accept cookies, unless you've opted out. (US government web page with instructions to opt out: http://www.usa.gov/optout-instructions.shtml)

Ballet Initiative PodcastPast Episodes (See Heads Up! for Recent Episodes)

  • Please log in to reply
78 replies to this topic

#76 Helene



  • Administrators
  • PipPipPipPipPipPipPipPip
  • 13,051 posts

Posted 11 February 2014 - 12:57 PM

Fascinating subject, and Nancy Buirski was informative, thoughtful, and gracious.  And on the Left Coast, I miss the voices of NYC, and she was a delight to listen to.

#77 vipa


    Platinum Circle

  • Senior Member
  • PipPipPipPipPipPipPip
  • 1,365 posts

Posted 11 February 2014 - 06:29 PM

I was lucky enough to see the film. This was a delightful addendum.

#78 Bonnette


    Senior Member

  • Senior Member
  • PipPipPip
  • 243 posts

Posted 11 February 2014 - 08:03 PM

Lovely interview, thank you so much for the link.

#79 Helene



  • Administrators
  • PipPipPipPipPipPipPipPip
  • 13,051 posts

Posted 17 February 2014 - 03:14 PM

To continue the digression for a moment, Erik Tomasson's photos are wonderful.  I used to wish that SFB could have spent serious money on their brochures, just to highlight them.  With two dancer parents, I'm sure he'd have a lot to say about growing up in a dance environment.


I think the Watts interview is fascinating.  When I first saw her dance, she was already a Principal, and I didn't realize that she was considered controversial when she was first featured.  The effects of the Ford Foundation money were so profound for the company and so quickly, it's easy to forget that the dancers who were featured and/or on the rise in the '70's were often kids found and nurtured by the early years of the program. 


I don't think I've ever seen anyone with a core as strong as hers in dance, not even Viengsay Valdes.  In the PBS show of Martins works for her, Ashley, Nichols, McBride, and Farrell, she danced the PDD from "Ecstatic Orange."  The camera was close up on her and Jock Soto.  He lifted her without any noticeable preparation, and there was no visible tension or movement in her body as he picked up and set her down.  I've never seen anything like it.

0 user(s) are reading this topic

0 members, 0 guests, 0 anonymous users

Help support Ballet Alert! and Ballet Talk for Dancers year round by using this search box for your amazon.com purchases. (If it doesn't appear below, your computer's or browser's adblockers may have blocked display):