Le Corsaire, Romeo and Juliet or Sleeping Beauty
Posted 28 May 2013 - 07:01 PM
R&J definately go with Vishneva/Gomes.
Sylvia with Murphy/Gomes. Another silly story, but a fun ballet nonetheless.
Avoid Sleeping Beauty. Really ugly sets and costumes.
Go see NYCB
Posted 28 May 2013 - 07:19 PM
On 6/7, you get to see Tiler Peck in one of her signature roles, Allegro Brillante, and you get to see Who Cares? Robert Fairchild and Sterling Hyltin are both fantastic in this ballet.
On 6/8 afternoon, Ashley Bouder in Theme and Variations!!! Again, that's become to dance lovers a sort of touchstone role for her, you can't go wrong there. Evening again it's Theme and Variations that's worth the price of the ticket alone, and Tiler Peck and de Luz are also excellent in this ballet. It's a mixed bill, you might like some of the ballets more than others, but I don't think I've ever met anyone who didn't like Theme and Variations or Who Cares?
This sounds like a paid advertisement for the NYCB, but it's not. But Le Corsaire is a VERY weak ballet. More of a pastiche than anything else -- 5 different composers, barebones plot.
R&J is definitely worth seeing but it's LONG and heavy on mime. I don't know if you like that. Of all the casts I'd pick Vishneva/Gomes or Osipova/Hallberg.
Sylvia is worth seeing. All the casts look okay to me except I'd avoid Paloma Herrera.
Posted 28 May 2013 - 07:31 PM
Posted 29 May 2013 - 04:18 AM
Posted 29 May 2013 - 05:06 AM
Posted 29 May 2013 - 05:34 AM
Posted 29 May 2013 - 05:38 AM
Posted 29 May 2013 - 02:40 PM
Posted 29 May 2013 - 04:23 PM
Also want to add that I agree that Corsaire is generally a boring ballet and that the story is silly, but I'd say that it's no sillier than an awful lot of the story ballets. However, for those of us who have raised ballet students who've gone on to dance professionally, Le Corsaire is a tear-jerker. We've sat as audience members through countless 1/2 performances (at least at my daughter's preprofessional ballet school; they never did the whole thing) of this ballet. We've watched our young'uns proceed throughout the years with their hopes pinned to the image of themselves performing the pas de deux. And when they do, we cry for all the years of blood, sweat, tears and hope that went into their progression on the road to becoming a professional dancer. So I never find it boring; it floods me with nostalgia.
Posted 29 May 2013 - 06:37 PM
i'm sorry. I looked at the NYCB casting for the Saturday evening performance. As someone already has mentioned, the matinee will be danced by Bouder and Garcia, who are also sensational. It would be very hard to pick who is better in Theme and Variations Peck and De Luz or Bouder and Garcia. I think it's a draw.
Beg to differ - Garcia is weak in theme. He actually walks around for some music to avoid starting a difficult passage when he should.
Posted 30 May 2013 - 08:51 PM
But if you really insist on ABT, I would send you to see Marcelo Gomes in anything. IMO, Romeo & Juliet is more theater than dancing, which is certainly valid, but it's not what I go to ballet for. (Tchaikovsky Suite #3 -- one-third of NYCB's program -- probably has more dancing than R&J.) However, if I were to choose one R&J, Vishneva and Gomes is without a doubt the cast that I'd go for.
I don't take Corsaire too seriously, but it does offer a lot of dancing (but not as much as you'll get in NYCB's program).
As for Sleeping Beauty, it is a much better ballet than ABT's production would lead you to believe. I'd suggest that you wait, if you're able, until it rolls around into NYCB's repertoire again and see their beautiful (albeit imperfect) version as an an introduction.
You'll let us know what you decide, won't you?
Posted 31 May 2013 - 07:09 AM
For the moment, I think I'll skip Le Corsaire, Sleeping Beauty and R&J and ABT, but as the dates get closer, who knows?
Posted 31 May 2013 - 07:13 AM
ABT does NOT use the Atrium discount windows to dump unsold tickets.
Posted 31 May 2013 - 07:57 AM
Thanks for the replies. I may do the NYCB on Friday 6/7, though not for $155. Perhaps the $89 at the rear orchestra, but will that be too far away?
Rear orchestra is pretty good in that theatre, actually, especially if you can get a seat in the middle of the row. They're not dramatic ballets so seeing the expression on their faces is not as important as for, say, R&J (which I still think you should go and see!)
0 user(s) are reading this topic
0 members, 0 guests, 0 anonymous users
Help support Ballet Alert! and Ballet Talk for Dancers year round by using this search box for your amazon.com purchases. (If it doesn't appear below, your computer's or browser's adblockers may have blocked display):