Posted 27 February 2013 - 09:52 AM
Posted 27 February 2013 - 03:50 PM
[font=arial]"I appreciate more than you will ever know that you are honoring me, but the thing that thrills me the most is that you are honoring classical music," Cliburn said. "Because I'm only one of many. I'm only a witness and a messenger. Because I believe so much in the beauty, the construction, the architecture invisible, the importance for all generations, for young people to come that it will help their minds, develop their attitudes and give them values. That is why I'm so grateful that you have honored me in that spirit."[/font]
May God bless you, Mr. Cliburn, you gave the world such beauty!
Posted 14 March 2013 - 10:28 PM
In particular, his romantic concerti recordings are often amongst the best versions out there (e.g. Rach 3).
Posted 15 March 2013 - 02:08 PM
Despite the criticism, Mr. Cliburn tried to expand his repertory, playing concertos by MacDowell and Prokofiev and solo works by Samuel Barber (the demanding Piano Sonata), Chopin, Brahms, Beethoven and Liszt. But the artistic growth and maturity that were expected of him never fully came. Even as a personality, Mr. Cliburn began to seem out of step. In the late 1950s this baby-faced, teetotaling, churchgoing, wholesome Texan had fit the times. But to young Americans of the late 1960s he seemed a strained, stiff representative of the demonized establishment.
Posted 15 March 2013 - 04:37 PM
... to young Americans of the late 1960s he seemed a strained, stiff representative of the demonized establishment.
To the extent that that was true, that was their problem. You go to the art, you don't corrupt it to suit the fashions of the day, or you deprive yourself of that experience. "Fashions come and go, but a thing of beauty is a joy forever." Cliburn took us to the worlds of the pieces he played. His unfailingly beautiful tone was always in modest service of what he played, and consequently in service to the listener who had learned to hear.
Posted 16 March 2013 - 12:07 PM
His unfailingly beautiful tone was always in modest service of what he played,.......
Very nicely put, thank you.
Posted 26 June 2014 - 09:51 AM
Ansel Elgort has signed on to play Cliburn in a feature film bio.
The film is based on the Howard Reich book Van Cliburn, and Elgort will play the pianist in his formative years when, at age 23 in 1958, he emerged from out of nowhere to win the Tchaikovsky International Piano Competition in Moscow. It was the first time the tournament was held, and was organized by the USSR after it had caught up to the U.S. in the nuclear arms race and completed the first successful space launch with Sputnik. Nikita Khrushchev saw the competition as a way to lord Soviet superiority at a time when tensions between the two superpowers were sky high.
Posted 29 June 2014 - 01:07 AM
Well he's got the height for it. I guess makeup can do something about the hair.
However, I don't hold out much hope for this being a good movie.
Posted 03 July 2014 - 06:33 AM
I understand your skepticism, ballet_n00b, but you never know. It may be interesting to see how the subject is addressed, post-Cold War but with our Russian relations currently on the chilly side. And the idea of any feature film focused on a classical performer is heartening.
I haven't yet seen "The Fault in Our Stars" and so I have no way of appraising Elgort's acting skills. Would be interested to hear from anyone who has seen him before.
Posted 04 July 2014 - 03:58 AM
Yeah you're right, I was being a bit too cynical. At least, the film should inspire some youngsters to learn piano or take an interest in classical music.
I know I wouldn't have if I hadn't been forced to study Shine in school.
I just hope that there is a decent amount of "music" in this movie and not just cold war politics.
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