No one condones the violence, or is not saddened by Filin's pain and suffering. We all pray for his comfort and strength.
However, we have not discussed so much that is contained in the rather limited New Yorker article, which explains the attitude toward the police, the persons in power, and the environment.
Quote
This was Russia. Only the naïve flinch at brazen corruption. When I asked another member of the board of trustees about bribes, thievery, and waste at the Bolshoi, he shrugged. ... The board member was shocked no more by the notion of financial malfeasance ...'I could care less,' .. 'Either you are one of the top three theatres in the world or you aren’t. If you spend an extra fifty million dollars, who cares? What’s a few hundred million for a country like ours?'...
'[ Money showed itself all the time, in the intrusions of rich boyfriends, in the impertinent demands of board members and politicians, in the campaigns to bring in more oligarchs to augment the budget. The dancers themselves worried about money; their base salaries were small, and they depended on Filin’s favor to be given the serious roles that would boost their income...
: 'What happens in the theatre reflects what is happening in the streets.' Russians, in the contemporary version of their fatalism, see their country as a landscape of endless bespredel, lawlessness, a world devoid of order or justice or restraint. One disaster is of a piece with another. The acid attack on Filin was of a piece with recent events like the broad-daylight assassination of Aslan Usoyan, also known as Grandpa Hassan, a renowned mobster. ... 'They found him encased in a barrel of concrete! It’s just like what happened to Sergei Filin.'




