Sergei Filin Attacked
#241
Posted 14 February 2013 - 03:36 PM
#242
Posted 15 February 2013 - 04:29 PM
I found this interview with Galina Stepanenko interesting, especially the end:
Quote
G.S.: We have been rehearsing for several weeks. The artists of the Bolshoi Theatre have worked with Ek's assistants. His wife, the outstanding ballerina Ana Laguna, came here; and now the choreographer himself has come here. He will spend the next several days watching the performing artists and assessing the work done.
Izvestia: He wasn't scared away.
G.S.: He is a brave man.
And her statement somewhere in the middle:
Quote
G.S.: Today Nikolai Tsiskaridze is still on the team. He teaches, rehearses and dances.
#243
Posted 15 February 2013 - 11:57 PM
#244
Posted 16 February 2013 - 12:29 AM
http://www.nytimes.c...nce/15miss.html
Real estate poses dangers for other figures in Moscow's arts world. Mikhail Levitin, artistic director of the Hermitage Theater, a historic building in a picturesque park on prime central Moscow real estate, has complained for years that he is being squeezed out by forces that want to turn the theater into an entertainment complex.
Mr. Levitin told the Russian media recently that he had been threatened with violence and warned that acid would be poured on his wife and that his baby daughter would be harmed if he did not leave his post.
"In our country art is always dangerous," said Ms. Kolesova, the dance critic. "Before the authorities persecuted for creative positions, now criminals persecute for real estate."
#245
Posted 16 February 2013 - 09:15 AM
Mme. Hermine, on 15 February 2013 - 04:29 PM, said:
I found this interview with Galina Stepanenko interesting, especially the end:
Quote
G.S.: We have been rehearsing for several weeks. The artists of the Bolshoi Theatre have worked with Ek's assistants. His wife, the outstanding ballerina Ana Laguna, came here; and now the choreographer himself has come here. He will spend the next several days watching the performing artists and assessing the work done.
Izvestia: He wasn't scared away.
G.S.: He is a brave man.
And her statement somewhere in the middle:
Quote
G.S.: Today Nikolai Tsiskaridze is still on the team. He teaches, rehearses and dances.
Just read the entrie interview. Liked it. She very diplomatic. She seems to know how to reveal things without being too revealing and she apparently has a mastery at side-stepping the more hot botton questions with relative ease. She appears confident, strong and very assure of herself. Who knows in the long run having a female running the biggest ballet company in the world is just what the Bolshoi needs at this time. Here's to her sucess until Mr. Filin is able to return...and if she is successful...hopfully Mr. Filin will keep her own as an official AAD.
#246
Posted 26 February 2013 - 06:32 PM
http://www.ismeneb.c..._for_Filin.html
#247
Posted 03 March 2013 - 04:51 AM
Positives: Ballet in the news (with a spread of lovely color photos). Negatives: Simplistic analysis, not even mentioning other plausible theories known in the ballet world.
Interesting tidbit that I had not read before: American member of the Bolshoi corps, Joy Womack, is quoted as saying that she was 'welcomed' with glass in the pointe shoes when she joined.
This is the issue with a grayish photo of the back of Pope Benedict on the cover. "Sandal Ballet" title appears on the cover, above the photo of the Pope. Quite confusing.
I have the queazy feeling that some awful sort of 'Black Swan - Russian Style' movie may come out of all of this.
Edited to add link:
http://www.time.com/...2136318,00.html
Not sure if the above gives you the entire article. I have a hard copy of the issue.
#248
Posted 03 March 2013 - 06:33 AM
#249
Posted 03 March 2013 - 09:16 AM
Here is the exact Joy Womack mention/quote (typing as I look at p. 37 of the hard copy):
Dancers have been known to place pieces of glass in a rival's slippers just before the curtain rises. Joy Womack, an American dancer in the Bolshoi's corps de ballet, says she was once the victim of such sabotage, which left both of her feet covered in blood. "The pressure made her do it," she says of the dancer she believes placed glass in her shoes.
#250
Posted 03 March 2013 - 10:11 AM
Natalia, on 03 March 2013 - 09:16 AM, said:
Here is the exact Joy Womack mention/quote (typing as I look at p. 37 of the hard copy):
Dancers have been known to place pieces of glass in a rival's slippers just before the curtain rises. Joy Womack, an American dancer in the Bolshoi's corps de ballet, says she was once the victim of such sabotage, which left both of her feet covered in blood. "The pressure made her do it," she says of the dancer she believes placed glass in her shoes.
Oh jeez. That's really horrible.
#251
Posted 05 March 2013 - 01:49 AM
http://www.nytimes.c...cid-attack.html
Quote
A law enforcement official told Russian television that the man is suspected of carrying out the acid attack on a contract basis and not associated with the Bolshoi Theater. The official said investigators have not identified the person who ordered the attack.
#252
Posted 05 March 2013 - 09:38 AM
Mme. Hermine, on 05 March 2013 - 01:49 AM, said:
http://www.nytimes.c...cid-attack.html
Quote
A law enforcement official told Russian television that the man is suspected of carrying out the acid attack on a contract basis and not associated with the Bolshoi Theater. The official said investigators have not identified the person who ordered the attack.
The story has been updated since this morning...same link as above. Pavel Dmitrichenko, a dancer with the company, has been detained.
#253
Posted 05 March 2013 - 10:16 AM
http://bigstory.ap.o...-chief-detained
Quote
Russian news agencies reported that Lipatov had been detained in the town of Stupino, a sprawling Moscow suburb that has summer houses owned by the Bolshoi Theater and used by its dancers and management. Dmitrichenko said in a recent interview that he was managing the dachas in his spare time.
#254
Posted 05 March 2013 - 10:37 AM
#255
Posted 05 March 2013 - 10:37 AM
canbelto, on 03 March 2013 - 10:11 AM, said:
Here is the exact Joy Womack mention/quote (typing as I look at p. 37 of the hard copy):
Dancers have been known to place pieces of glass in a rival's slippers just before the curtain rises. Joy Womack, an American dancer in the Bolshoi's corps de ballet, says she was once the victim of such sabotage, which left both of her feet covered in blood. "The pressure made her do it," she says of the dancer she believes placed glass in her shoes.
And how would they do this? Dancers typically put their 'slippers' (pointe shoes?) on in their dressing room.
And most dancers make sure everything is just so with their shoes.
This has a distinct Black Swan sound.
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