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Balanchine & the Lost Muse: Revolution & the Making of a Chore


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#1 Neryssa

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Posted 17 January 2013 - 02:44 PM

I hope this has not been posted before Posted Image :
Balanchine & the Lost Muse: Revolution & the Making of a Choreographer by Elizabeth Kendall is listed on Amazon (Release date: July 2013) Description:
Here is the first dual biography of the early lives of two key figures in Russian ballet: famed choreographer George Balanchine and his close childhood friend and extraordinary ballerina Liidia (Lidochka) Ivanova.
Tracing the lives and friendship of these two dancers from years just before the 1917 Russian Revolution to Balanchine's escape from Russia in 1924, Elizabeth Kendall's Balanchine & the Lost Muse sheds new light on a crucial flash point in the history of ballet. Drawing upon extensive archival research, Kendall weaves a fascinating tale about this decisive period in the life of the man who would become the most influential choreographer in modern ballet. Abandoned by his mother at the St. Petersburg Imperial Ballet Academy in 1913 at the age of nine, Balanchine spent his formative years studying dance in Russia's tumultuous capital city. It was there, as he struggled to support himself while studying and performing, that Balanchine met Ivanova. A talented and bold dancer who grew close to the Bolshevik elite in her adolescent years, Ivanova was a source of great inspiration to Balanchine--both during their youth together, and later in his life, after her mysterious death just days before they had planned to leave Russia together in 1924. Kendall shows that although Balanchine would have a great number of muses, many of them lovers, the dark beauty of his dear friend Lidochka would inspire much of his work for years to come.
Part biography and part cultural history, Balanchine & the Lost Muse presents a sweeping account of the heyday of modern ballet and the culture behind the unmoored ideals, futuristic visions, and human decadence that characterized the Russian Revolution.


#2 bart

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Posted 17 January 2013 - 04:32 PM

This sounds like something a collector of Balanchiniana can't do without.  Here's the   AMAZON LINK

Reminder to everyone:  Don't forget that you can order directly from Amazon by clicking the box at the bottom of each Ballet Alert page.  That way Ballet Alert earns a small share from each sale, which helps us remain on-line.  I have just cllicked and put this book it in my Cart.  Thanks, Neryssa, for the Heads Up..

#3 sandik

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Posted 17 January 2013 - 08:13 PM

Kendall does great work, and this should be fascinating.

#4 Quiggin

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Posted 17 January 2013 - 09:24 PM

The pre-1925 part of Balanchine's life would be a good read, especially with new archival research.

But I don't think Balanchine was "abandoned", maybe that's just the blurb writer. Wasn't he supposed to go to military school but there wasn't a spot that year for him, so when his sister didn't get into St Petersburg Imperial Ballet school, he took her place. Balanchine's account of the boat accident where Liida Ivanova disappeared sounded as if it happened to someone he knew but wasn't that close to – although "Cotillion" is supposed to reflect something of this loss. Maybe all Balanchine's inner life (as is everyone's according to Proust) takes place three steps removed from its original stimulus.

Anyway it be be interesting to see how this all gets put together.

#5 aurora

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Posted 18 January 2013 - 08:11 AM

She apparently had a Fulbright to work on the project:
http://www.fulbright.ru/en/node/507

#6 ViolinConcerto

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Posted 18 January 2013 - 08:21 PM

....and don't forget, he was already married to Tamara Geva.

#7 Natalia

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Posted 21 January 2013 - 05:54 AM

View Postsandik, on 17 January 2013 - 08:13 PM, said:

Kendall does great work, and this should be fascinating.

You think so? Without further comment: http://www.pointemag...-2012/soul-star

#8 cubanmiamiboy

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Posted 21 January 2013 - 08:29 AM

View PostNatalia, on 21 January 2013 - 05:54 AM, said:

View Postsandik, on 17 January 2013 - 08:13 PM, said:

Kendall does great work, and this should be fascinating.

You think so? Without further comment: http://www.pointemag...-2012/soul-star

"Maybe Somova is that rarity in the ballet world: A well-adjusted, happy young woman who happens to have gorgeous technique..."

Really...? Posted Image

Anyway.....back to B and Ivanova....

#9 Helene

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Posted 21 January 2013 - 08:50 AM

View Postcubanmiamiboy, on 21 January 2013 - 08:29 AM, said:



"Maybe Somova is that rarity in the ballet world: A well-adjusted, happy young woman who happens to have gorgeous technique..."

Really...? [img]http://balletalert.i...ess-smiley-003.
She quotes Terekhova and Kolpakova, who did exemplify the Kirov style and has no skin in the game, to support this.

#10 sandik

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Posted 21 January 2013 - 11:16 AM

View PostNatalia, on 21 January 2013 - 05:54 AM, said:

View Postsandik, on 17 January 2013 - 08:13 PM, said:

Kendall does great work, and this should be fascinating.

You think so? Without further comment: http://www.pointemag...-2012/soul-star

Kendall's scholarly work has been varied and thoughtful, especially when she's examining dance in the first part of the 20th century.  I haven't seen anything specific from this project yet, but she's got the skills and the access to materials -- I'm looking forward to seeing what she's done.



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