This is the quote in full:
“I have great admiration for the way Brigitte has brought choreographers like Jérôme Bel and Pina Bausch into the repertory,” he said. “But my interest is in developing the art and the craft of ballet, which is so rich and interesting. This is a great classical company, and I want it to be an environment for the evolution and knowledge of the ballet idiom. I want to develop a new identity, really challenge the dancers, make them dance ballets that are not just the classics.”
That doesn't sound bad at all in theory. (And given some of the stuff I saw the troupe performing in the Wiseman documentary I see the point.) The article notes that he's not going to "prioritize" his own choreography, a good thing, I gather.
Agreed -- this sounds like he's hoping to move in a neo-classical direction. I don't have a deep knowledge of the current repertory, so cannot really comment on the contemporary work they've done, but if Millepied brings in more work by artists like Wheeldon and Ratmansky, along with other rising choreographers like David Dawson, that could be very exciting.
I've only seen a couple examples of his own dances, which I liked, but I think that running an institution like the POB is a hard enough job without trying to focus on your own creative development.
(not to mention the family part)
I wonder about their choosing someone "from the outside," but you know that they've done that several times in the past.
But whatever the inner logic of the decision, this will certainly bring a heightened international focus on the company for a time.