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The author, a former member of the Royal Ballet, has produced a ground-breaking study of six of Ashton's ballets, using them as examples to discuss the nature of Ashton's style and its relationship to early twentieth century dance training in Britain. She discusses the problems of performing Ashton's work in a stylistically correct manner, and suggests how some present day defects might be remedied. The result is exhilarating and enlightening but also controversial.
Here's a link to book page on the Dance Books website:
http://www.dancebook...6eashs4j78r3r11




