Mariinsky under Fateyev
Posted 15 August 2012 - 03:12 PM
I would think everyone in the world who takes a trip to Russia is interested in seeing the Mariinsky Ballet in Swan Lake or Giselle or even a Soviet ballet, but I wonder if anyone really wants to see them do a modern piece. Their arms, etc. are perfect for the classics and their training has historically been for the classics.
How does everyone feel about the direction the Mariinsky is taking under Fateyev?
Posted 16 August 2012 - 07:36 AM
[size=3]I still consider Mariinsky the best classical ballet company, and took a trip on purpose to watch its classical productions in April this year ([size=2]DQ, Bachtisarai fountains, Jewels, Nutcracker, Raymonda, 2 ballet concerts, and 2 Lopatkina galas in Moscow[/size]). They don't do a lot of modern stuff (they don't do a lot of anything - and that's [[size=2]what i read from russian forums[/size]] the fault of Gergiev who can't care less for ballet, its' a foster child of Mariinsky company. The fault of Mr Fateyev ([size=2]who's considered an expert in Balanchin staging there[/size]], so the fault of Mr Fateyev is poor casting and partnering decisions, favoritism of certain dancers and blocking opportunities for principal dancer - as a result, the outflow of lots of great dancers from the ballet company. My heart cries for casting in Costa Mesa,CA with Swan Lake as I would love to see some (Tereshkina, Kondaurova, alas Lopatkina is not on tour) but would avoid to see Skorik. How do i feel about the direction the Mariinsky is taking under Fateyev? I AM NOT HAPPY.[/size]
[size=3]I wish and pray a more caring more accomplished and less selfish individual runs it as a REAL director ([size=2]remind you, he's still an Acting director - but gosh how he act, or mis-acts[/size])[/size]
Posted 16 August 2012 - 08:05 AM
Posted 16 August 2012 - 10:15 AM
Posted 16 August 2012 - 11:26 AM
Posted 16 August 2012 - 12:33 PM
Posted 17 August 2012 - 03:07 AM
Posted 17 August 2012 - 03:32 AM
Posted 17 August 2012 - 03:42 AM
Another crime commited by Fateyev is losing Ayupova who would be great coach for young Mariinsky dancers.
Posted 17 August 2012 - 06:18 AM
Vikharev had to go to Bolshoi to stage his reconstruction Coppelia which would be highly desirable for the many soubrette type ballerinas at Mariinsky and would have been a great role for Obraztsova, who now will get to dance it at Bolshoi. Vikharev could not stage the reconstruction Raymonda at his home, but had to go to Italy and use a Mariinsky ballerina, Olesya Novikova, to dance the role of Raymonda. Even for those who prefer the Sergeyev version of Sleeping Beauty and Bayadere, there are many reasons to dance both versions and since Mariinsky has all the costumes and scenery for these reconstructions, there is no reason why they should not use it.
Fateyev is a great Balanchine fan and almost everyone will agree with the greatness of Balanchine. However, the Mariinsky training is in the classical Petipa tradition and although Balanchine trained at what is now known as the Vaganova Academy of Russian Ballet, Vaganova, herself, began teaching the same year Balanchine graduated, so Vaganova trraining never affected Balanchine. Every time a Balanchine ballet or any other new ballet for Mariinsky is performed, the victim is always a classical ballet or one of the other Mariinsky beloved ballets, like Fountain of Bakhchisarai.These ballets are still performed, but the number of performances each year, gets smaller and smaller. As more Balanchine ( much better than the other new ones) enters and more Forsytthe, Wheeldon, Preljocaj and Ratmansky enters, there will be less classical performances at Mariinsky.
Yes, Mariinsky will become a morgue of classical ballet, when it should be a museum of classical ballet, using the training that Vaganova taught and all the former Mariinsky dancers specialized in..
Posted 17 August 2012 - 07:46 AM
Posted 17 August 2012 - 08:14 AM
Somova's prominence in the company, her aesthetic, her technical weaknesses, and the years of awful, artistically suspect coaching of her were Vaziev's brain children.
If Fateev hates reconstructions, he would hardly be the only one: the company's prima, Uliana Lopatkina, leads that faction. The Mariinsky New Year's Eve celebration DVD, which, ironically, features the Wedding Act reconstruction, ends with the chorus onstage in formal wearing, crowned by Lopatkina, in elegant clothing, making a grand entrance worthy of Cinderella in the Ashton, and Gergiev defers to her like a suitor. She's on the record for not liking the reconstruction and not wanting to dance it, so it's easy to do the math.
Posted 17 August 2012 - 08:38 AM
Lopatkina has never danced the full length Aurora on any stage, so she may not like the reconstruction Petipa Sleeping Beauty, but she has never danced Aurora in the Sergeyev version. Does that mean that since Lopatkina refuses to dance Aurora in Sleeping Beauty, Gergiev will remove every Sleeping Beauty from the repertoire?
Posted 17 August 2012 - 09:46 AM
Posted 17 August 2012 - 10:30 AM
I don't know about the others who responded to this topic, but I don't need to have totally faithful Petipa reconstructions (I do like later additions like the Nikiya and the Slave PDD and the Bronze Idol in later versions), but I hope that the Mariinsky will continue to show off their grounding in the classics whether reconstructions or other later versions.
I am not against modern ballet but I find it a bit sad what is going on at the Mariinsky.
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