A look at the tenure of Monica Mason
at the Royal in Judith Flanders' blog.
Leaving aside the question of whether it was not her job to nurture talent, not simply present it, one must ask, are there no contemporary women artists for the National Gallery to choose for this evening? Were Cornelia Parker, Rachel Whiteread, Gillian Wearing, Chantal Joffe, Marlene Dumas, Jenny Holzer all too busy? Were there no women composers? Conductors? Or did the question not even occur to those involved?
I fear it is the latter. I fear it is not deliberate that black dancers are not welcome; it is not deliberate that women creatives go unhired. If it were deliberate, it would be easier to eradicate. But what is happening appears more insidious. It is a matter of people hiring those with whom they are comfortable, finding people who look and sound more (to use Mason’s word) “suitable”.