Promotions - Hee Seo and Alexandre Hammoudi
Posted 06 July 2012 - 08:39 AM
NEW PROMOTIONS ANNOUNCED AT AMERICAN BALLET THEATRE
HEE SEO PROMOTED TO PRINCIPAL DANCER AND
ALEXANDRE HAMMOUDI PROMOTED TO SOLOIST
7/6/2012 - Hee Seo has been promoted to the rank of Principal Dancer with American Ballet Theatre and Alexandre Hammoudi has been promoted to Soloist. The promotions, which become effective immediately, were announced today by Artistic Director Kevin McKenzie.
Hee Seo was born in Seoul, South Korea, and began her ballet training in her hometown at the Sun-hwa Arts Middle School. She was awarded a three-year full scholarship to continue her training at the Universal Ballet Academy in Washington, D. C. In 2003, Seo won a scholarship to train at the John Cranko Ballet Academy in Stuttgart. She is the recipient of the 2003 Prix de Lausanne Award and the 2003 Grand Prix at the Youth American Grand Prix in New York.
Seo joined the ABT Studio Company in 2004. She joined the main Company as an apprentice in May 2005, became a member of the corps de ballet in March 2006 and was promoted to Soloist in August 2010. Her repertoire with the Company includes Polyhymnia in Apollo, Nikiya and Gamzatti in La Bayadère, the title role and Zulma in Giselle, Olympia in Lady of the Camellias, Natalia in Alexei Ratmansky’s On the Dnieper, Tatiana in Onegin, Juliet in Romeo and Juliet, the Lilac Fairy, the Fairy of Sincerity and Princess Florine in The Sleeping Beauty, the pas de trois, the Polish Princess and a big swan in Swan Lake, the Sylph in La Sylphide, Thaïs Pas de Deux and roles in Ballo della Regina, Birthday Offering, The Brahms-Haydn Variations, Dark Elegies, Duets, The Leaves Are Fading, Seven Sonatas and Thirteen Diversions.
Alexandre Hammoudi is a native of Paris, France and began his training at age seven with Max Bozzoni of the Paris Opera Ballet. He continued his training at the Academy of Dance Salle Playel in Paris from 1996-1999 and subsequently at the English National Ballet School in London and the School of American Ballet. He has won numerous international competitions, including the Trophee Arabesque and the Biarritz Dance Competition. At age16, Hammoudi became a member of the National Ballet of Cuba and toured South America with that company.
Hammoudi joined the ABT Studio Company in 2002, joined the main Company as an apprentice in April 2003 and became a member of the corps de ballet in April 2004. His repertory with ABT includes the Rajah in La Bayadère, Pyotr and the Lead Highlander in Alexei Ratmansky’s The Bright Stream, Lead Mazurka/Czardas in Coppélia, Ivan in Ratmansky's Firebird, the Jailer in Manon, the Nutcracker Prince in Ratmansky's The Nutcracker, Olga's Fiancé in On the Dnieper, Romeo and Paris in Romeo and Juliet, the Spanish Prince and a Fairy Knight in The Sleeping Beauty, Orion and Apollo in Sylvia, and roles in Black Tuesday, The Brahms-Haydn Variations, Brief Fling, Clear, Continuo, Désir, Duo Concertant, Glow-Stop, The Leaves Are Fading, Overgrown Path and Private Light. He created the Spanish Dance in Ratmansky's The Nutcracker as well as roles in Everything Doesn't Happen at Once, From Here On Out, Pretty Good Year, Seven Sonatas and Thirteen Diversions.
American Ballet Theatre’s 2012 Spring season at the Metropolitan Opera House continues through July 7. For more information, visit www.abt.org.
Hee Seo and Alexandre Hammoudi in "Romeo and Juliet." Photo by Rosalie O'Connor.
Posted 06 July 2012 - 08:41 AM
Posted 06 July 2012 - 10:00 AM
What a year this has been for promos for so many of my personal faves. Obraztsova, Kondaurova, Ould-Braham, now Hee Seo. Let's keep this party rollin'! (NYCB, did you hear that? Lauren King to soloist, huh?)
Posted 06 July 2012 - 10:32 AM
So Semionova takes Wiles' vacancy, and Seo is stepping up as the go to lyrical ballerina for when Julie Kent retires. Unfortunately I don't see any of the other soloist women moving up for awhile now, depending on the rest of the principal women (how much time Murphy devotes to NZ, what Irina and Max decide to do, etc.). Poor Stella
Posted 06 July 2012 - 11:35 AM
I agree on Stella but, alas, her 'time for promotion' was ca-2006 (before she & Radetsky took long hiatus)...back in the days when she was annouced as Giselle, then it never happened. Sarah, Yuriko and some others seem to be victims of emploi. Daniil Simkin may be the one to break the curse of the shorter dancers, most likely next season. For the women soloists in general (short or otherwise), I bet that we won't be waiting for more than a year or so on Isabella Boylston's principal promo. Misty will be next, depending on her progress after the current long hiatus. But I'd bet the farm on Isabella, sooner than later.
Posted 06 July 2012 - 11:53 AM
Posted 06 July 2012 - 12:13 PM
Posted 06 July 2012 - 12:48 PM
I couldn't agree more with Natalia on this. I have long admired Stella and was immediately drawn to her when I first began attending ABT performances, but I think the ship has sailed on a potential promotion. While she is a beautiful dancer, she hasn't always been the most consistent or technically secure (I am basing this only on my past eight years of attending ABT performances). She is generally very lyrical and graceful, but she sometimes seems to get stiff in the neck, shoulders, and face when presented with challenging elements. I realize these criticisms are similiar to those leveled at Part when she was a soloist, and she has now risen to the challenge and blossomed as a principal. I wish the same could have happened for Stella, but I fear now that the timing just isn’t right.
Posted 06 July 2012 - 01:23 PM
It doesn't seem like a promotion is in the cards for Maria Riccetto either. Lovely, lyrical, pristine dancing. I sure will miss her this coming year. I hope she returns!
Posted 06 July 2012 - 05:08 PM
I couldn't agree more with the above statement. I think that with Herrera's diminishing technique and Murphy out more (we don't know how this will work out) and the Irina factor added in Boylston is a sure thing for a promotion eventually as the strong dancer go to girl.
I feel bad for Stella - a quality dancer who could have been made a star. She is the best and most versatile of all the soloists. Also Sarah Lane is given very few opportunities unless she is needed by a guy! Cases in point - Theme & Variations, which is wickedly challenging and she does very well, she has been cast in to allow Cornejo to do. Same thing with Sleeping Beauty (Reyes was out injured so Lane did it with Cornejo). Again a fine performance, the only criticism I read was that she smiled too much. Nutcracker with Gorak and Flames of Paris pas with Simkin are two more examples. Her only hope for promotion is if Reyes goes and the AD doesn't see fit to hire a short principal from the outside.
I congratulate the promotions, but I lament the unfortunate waste of talent.
Posted 07 July 2012 - 11:10 AM
I'm not at all surprised by the Hammoudi promotion, but from what I saw in the R&J dress rehearsal, he still needs A LOT of work.
I also expected Seo to be promoted to principal eventually, but I didn't expect it to be so soon! She also needs to work on her bravura technique, in my opinion.
Well, here's for hoping that they prove me wrong, and prove to be totally worthy of their promotions!
Based on this decision, I think Boylston will be up for principal next (and Simkin)...the management seems to be content to leave the senior soloists where they are...
Posted 07 July 2012 - 11:28 AM
That being said, such wonderful news for the company! I can't wait to see the development continue for both as well as various other soloists and corps members!
Posted 07 July 2012 - 12:19 PM
Posted 07 July 2012 - 01:13 PM
Posted 08 July 2012 - 11:44 AM
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