Mixed Bill - Firebird, etc.Ratmansky premiere
#31
Posted 14 June 2012 - 06:37 AM
she did so well last night!
#32
Posted 14 June 2012 - 07:25 AM
Cygnet, on 14 June 2012 - 06:37 AM, said:
Just got our tix...luckily, as it's almost sold out. Boylston was fantastic in the little 'teaser' at the Kennedy Center this past January, when she & Gomes essayed the 'Black Swan' pdd. I'm only sorry that Gomes won't be her first 'full' Siegfried; instead, it's Danil' Simkin. Here's hoping for a felicitous pairing!
#33
Posted 14 June 2012 - 08:01 AM
abatt, on 14 June 2012 - 05:54 AM, said:
I used to think that the non-stop grinning was a 'Russian thing' with the role of Terpsichore (e.g., Assylmuratova & Zakharova) until I saw Part, who had the more appropriately serious visage. It's doubly weird when the two other muses are appropriately serious but Terpsi is in her own 'lah-lah land,' as we saw yesterday. Too bad, as she was lovely in her dancing and sculptural poses. Kudos to Marcello for strong partnering, especially that final move in the pdd, hoisting this tall amazon onto his back. Marcello delivered, sweat and all! A very manly and strong Apollo, as Abatt wrote.
#34
Posted 14 June 2012 - 09:10 AM
Natalia, on 14 June 2012 - 07:25 AM, said:
Cygnet, on 14 June 2012 - 06:37 AM, said:
Just got our tix...luckily, as it's almost sold out. Boylston was fantastic in the little 'teaser' at the Kennedy Center this past January, when she & Gomes essayed the 'Black Swan' pdd. I'm only sorry that Gomes won't be her first 'full' Siegfried; instead, it's Danil' Simkin. Here's hoping for a felicitous pairing!
For such an important role it seems a shame Boylston could not debut w. an experienced Siegfried or at the very least someone known for his partnering skills. The Mikhailovsky imported Gomez for Osipova's Swan Lake debut, and Osipova is a much more experienced principal dancer than Boylston. (Of course Osipova has more clout!) I assume Boylston is NOT complaining, but I feel like complaining on her behalf. Wish Simkin the best of course and he can dance wonderfully...so, yes, "here's hoping for a felicitous pairing" ...
#35
Posted 15 June 2012 - 12:13 PM
I don't think the sets are cheap looking - they have a "Tim Burton" kind of techno cartoon creepiness that I like.
#36
Posted 15 June 2012 - 12:53 PM
Natalia, on 14 June 2012 - 08:01 AM, said:
I wish I'd seen that. One thing I remember about Part as Terpsichore at the Met in '99 is her grin.
#37
Posted 15 June 2012 - 12:59 PM
Deborah Jowitt was there and found him in good form. I think if you can manage the jumps and partnering in "Apollo" you could manage a "Swan Lake" or perhaps a "Giselle". Anyway, Jowitt and I are kind of on the same page about "The Firebird" a la Ratmansky:
http://www.artsjourn...nd-goofy-girls/
#38
Posted 16 June 2012 - 06:14 AM
kfw, on 15 June 2012 - 12:53 PM, said:
Natalia, on 14 June 2012 - 08:01 AM, said:
I wish I'd seen that. One thing I remember about Part as Terpsichore at the Met in '99 is her grin.
I also remember that grin in '99, I remember all of ABT's muses grinning from ear to ear with Dvorovenko batting her eyelashes at the audience. This time they were all more appropriate, with Part only smiling at a point somewhere around the middle of the pdd. That, to me, is acceptable. Although I agree that,overall, Apollo was very soft compared to what we're used to I enjoyed the performance with the exception of Hee Seo who was simply miscast as Polyhymnia. Hallberg was gorgeous, as were Part & Abrera.
I thought 13 Diversions was at least 4 diversions too long, though Misty's solo & ppd were wonderful. Firebird was a mess.
#39
Posted 18 June 2012 - 04:45 AM
#40
Posted 18 June 2012 - 05:34 AM
nysusan, on 16 June 2012 - 06:14 AM, said:
kfw, on 15 June 2012 - 12:53 PM, said:
Natalia, on 14 June 2012 - 08:01 AM, said:
I wish I'd seen that. One thing I remember about Part as Terpsichore at the Met in '99 is her grin.
I also remember that grin in '99, I remember all of ABT's muses grinning from ear to ear with Dvorovenko batting her eyelashes at the audience. This time they were all more appropriate, with Part only smiling at a point somewhere around the middle of the pdd. That, to me, is acceptable. Although I agree that,overall, Apollo was very soft compared to what we're used to I enjoyed the performance with the exception of Hee Seo who was simply miscast as Polyhymnia. Hallberg was gorgeous, as were Part & Abrera.
There is some sort of confusion here--
in 1999 Part was not with ABT. She may have done this in 99 (she danced it with Kirov) but she was not one of ABT's muses grinning etc.
#41
Posted 18 June 2012 - 07:23 AM
aurora, on 18 June 2012 - 05:34 AM, said:
in 1999 Part was not with ABT. She may have done this in 99 (she danced it with Kirov) but she was not one of ABT's muses grinning etc.
Right, she danced it twice in New York with the Kirov.
#42
Posted 18 June 2012 - 08:40 AM
aurora, on 18 June 2012 - 05:34 AM, said:
nysusan, on 16 June 2012 - 06:14 AM, said:
kfw, on 15 June 2012 - 12:53 PM, said:
Natalia, on 14 June 2012 - 08:01 AM, said:
I wish I'd seen that. One thing I remember about Part as Terpsichore at the Met in '99 is her grin.
I also remember that grin in '99, I remember all of ABT's muses grinning from ear to ear with Dvorovenko batting her eyelashes at the audience. This time they were all more appropriate, with Part only smiling at a point somewhere around the middle of the pdd. That, to me, is acceptable. Although I agree that,overall, Apollo was very soft compared to what we're used to I enjoyed the performance with the exception of Hee Seo who was simply miscast as Polyhymnia. Hallberg was gorgeous, as were Part & Abrera.
There is some sort of confusion here--
in 1999 Part was not with ABT. She may have done this in 99 (she danced it with Kirov) but she was not one of ABT's muses grinning etc.
Sorry, of course I have my dates wrong. Part did it with ABT a few years ago, and thats the run I'm recalling. The muses were all very smiley back then...
#43
Posted 18 June 2012 - 09:24 AM
Back to my 'Firebird Weird-o-Meter.' I forgot to mention the very unique version by Maurice Bejart. Even though the designs are spare, the concept and, most importantly, the choreography are clear and musical. Hence, I would rank the Bejart very high -- tied with or just below the lovely DTH version. Excerpt below:
#44
Posted 18 June 2012 - 09:53 AM
Drew, on 14 June 2012 - 09:10 AM, said:
Natalia, on 14 June 2012 - 07:25 AM, said:
Cygnet, on 14 June 2012 - 06:37 AM, said:
Just got our tix...luckily, as it's almost sold out. Boylston was fantastic in the little 'teaser' at the Kennedy Center this past January, when she & Gomes essayed the 'Black Swan' pdd. I'm only sorry that Gomes won't be her first 'full' Siegfried; instead, it's Danil' Simkin. Here's hoping for a felicitous pairing!
For such an important role it seems a shame Boylston could not debut w. an experienced Siegfried or at the very least someone known for his partnering skills. The Mikhailovsky imported Gomez for Osipova's Swan Lake debut, and Osipova is a much more experienced principal dancer than Boylston. (Of course Osipova has more clout!) I assume Boylston is NOT complaining, but I feel like complaining on her behalf. Wish Simkin the best of course and he can dance wonderfully...so, yes, "here's hoping for a felicitous pairing" ...
Drew, sorry - I just saw this. This will also be Simkin's debut as Siegfried - a 'double debut matinee'! It's been a few seasons since he joined the company. I'm sure that he has 'bulked up' and strengthened his partnering since his 'Les Bourgeois' days! Also, they've already paired-up in Bright Stream, right?
I firmly believe that we'll have a chance to see a full Boylston-Gomes Swan Lake some time in the future.
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