Alonso (& Youskevitch) in THEME AND VARIATIONSpublicity portrait photo
Started by
rg
, Jun 03 2012 02:42 PM
6 replies to this topic
#1
Posted 03 June 2012 - 02:42 PM
i suppose this is one way to show that the ballerina overshadowed her partner as far as this newspaper was concerned.
#2
Posted 03 June 2012 - 02:46 PM
#3
Posted 03 June 2012 - 04:26 PM
How interesting -- I've seen lots of photos with different elements masked out like that, if they want to make a group shot into a portrait, but the cut line on the back implies that it ran with both dancers in the shot. Most likely, the masking is from a later, sloppier use, and no one bothered to change the information on the back, but as it is right now, it does look pretty bizarre!
#4
Posted 03 June 2012 - 06:57 PM
I've seen that face shot of her before, sans Igor. It was definitely done for that purpose.
#5
Posted 04 June 2012 - 04:06 AM
there are two dates stamped on the back of the print, both from '48, one for March and another for April.
presumably in Mar. it was used in full; the portion of the photo above the pasted caption shows the full frame.
subsequently, in April, one supposes, the photo was used as a portrait of Alonso, perhaps on the second occasion as less specific publicity for Ballet Theatre and not one necessarily pegged to THEME AND VARIATIONS.
presumably in Mar. it was used in full; the portion of the photo above the pasted caption shows the full frame.
subsequently, in April, one supposes, the photo was used as a portrait of Alonso, perhaps on the second occasion as less specific publicity for Ballet Theatre and not one necessarily pegged to THEME AND VARIATIONS.
#6
Posted 04 June 2012 - 11:42 AM
As usual, thanks rg for the wonderful photos..!
#7
Posted 04 June 2012 - 12:57 PM
Do I detect a hint of the Phantom of the Opera in Igor's appearance?
0 user(s) are reading this topic
members, guests, anonymous users
Help support Ballet Alert! and Ballet Talk for Dancers year round by using this search box for your amazon.com purchases:




