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#61 pherank

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Posted 25 October 2012 - 12:13 PM

View Postsilvermash, on 25 October 2012 - 10:34 AM, said:

Casting is now online for the Sous Apparence/Un jour ou deux Programme  
Only one cast for the Gillot :  Vincent Chaillet, Laëtitia Pujol, Alice Renavand
Three casts for the Cunningham : Emilie Cozette/Hervé Moreau/Nicolas Paul -Stéphanie Romberg or Laurence Laffon/Florian Magnenet/Fabien Révillion
http://www.operadepa...r/Distribution/

Thank you - well hopefully no one gets injured beforehand. I'm not really familiar with Chaillet myself, but Pujol and Renavand should do fine in the modern piece.

#62 miliosr

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Posted 01 November 2012 - 06:28 AM

Photos of Sous Appearance:

http://www.parismatc...a-corps-442760/

#63 pherank

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Posted 01 November 2012 - 09:42 PM

View Postmiliosr, on 01 November 2012 - 06:28 AM, said:

Photos of Sous Appearance:
http://www.parismatc...a-corps-442760/

Those images definitely leave me wondering what exactly went on.   ;)
Hopefully there will be some video clips of the dancing at some point. What has the audience reaction been like?

#64 silvermash

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Posted 01 November 2012 - 11:00 PM

Well, I went to the Première. My own feeling is that it is not a success Posted Image.    The sum up of what I feel, heard and read after is that the Merce Cunningham  piece is the real interest of the evening...
It will pop up some day as the evening will be recorded for a TV broadcast!

#65 pherank

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Posted 02 November 2012 - 01:15 PM

Well that's

View Postsilvermash, on 01 November 2012 - 11:00 PM, said:

Well, I went to the Première. My own feeling is that it is not a success Posted Image. The sum up of what I feel, heard and read after is that the Merce Cunningham  piece is the real interest of the evening...
It will pop up some day as the evening will be recorded for a TV broadcast!

Too bad, but not exactly unexpected. A person could have all the talent in the world for choreography and their first piece will still have problems. If you are lucky, it will be described as, "promising".  ;)
It strikes me as being a bit bizarre to thrust Gillot onto a major stage for her first work, but they did what they did. Historically speaking, what master choreographer started out their career with a ballet for the POB, Mariinsky, NYCB, Bolshoi main stage? Precisely NONE that I can recall hearing of.

#66 silvermash

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Posted 03 November 2012 - 12:00 AM

This is not exactly her first attempt of choreography and  that's all the more "bizarre" as you said.

#67 miliosr

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Posted 30 November 2012 - 03:30 PM

Can anyone comment on the Cunningham piece (Un jour ou deux)?  It certainly looks striking and the Parisian dancers look striking in it.

#68 silvermash

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Posted 01 December 2012 - 09:03 AM

View Postmiliosr, on 30 November 2012 - 03:30 PM, said:

Can anyone comment on the Cunningham piece (Un jour ou deux)?  It certainly looks striking and the Parisian dancers look striking in it.
I like it. I'm not familiar with Cunningham so I can't really comment on what's make its particularity but I like everything of if, the atmosphère,  the costumes, the lighting,the music, the movements and the staging. The choreography was fluid and ethereal at time, dancers were flying in group... even if it was serious and quite obsessive...
I think it was critically acclaimed...

#69 pherank

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Posted 11 December 2012 - 08:19 PM

Some more references to Gillot's ballet in this interesting article:

http://www.nytimes.c...era-ballet.html

#70 cinnamonswirl

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Posted 22 December 2012 - 05:48 PM

Gilbert/Paquette Don Quixote (from the live broadcast):





#71 Tara

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Posted 29 December 2012 - 12:30 PM

View Posttrieste, on 19 October 2012 - 10:45 PM, said:

Fortunately, I love Froustey...her FMG uploaded was terrific.

Me too! I await a promotion for her anxiously. She is my current favorite among the women at POB. She just has that certain something that makes me watch her to the exclusion to most everyone else on her stage.



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